The name says it all. "Acid Taste," from the recently released A (Kemado), is post-italo, Kraut-psychedelia with analog in mind. Not unlike Faust or CAN, Turzi and his band Reich IV, write tripped-out, live music that will make any machine envious. If there was ever a time for acid, it's now.
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Formerly known as Beyond, Musab has risen from the Minneapolis hip-hop scene to work with groups like Atmosphere, Micronauts, and others, as well as release his own artist albums. A recent move from Rhymesayers to Hieroglyphics' imprint finds this rapper dropping an autobiographical full-length that has tight beats and a lot to say about pimping. Bag this.
L.A.'s punk rebirth may not lie solely on the shoulders of Randy Randall and Dean Sprunt as No Age, but they certainly have played their part. Often associated with the all-ages art space The Smell, this dynamic duo combines the proper lo-fi energy of thrash's past, but with a fearless appreciation for noise and melody. "My Life's Alright" is all the proof in the world.
Airships Fill the Sky finds Brooklyn-based producer Morgan Packard weaving acoustic and electronic sounds together while maintaining his trademark sound of heavily-textured loops. The album–recently released on Ezekiel Honig's new Anticipate imprint and packaged with a DVD of live performance–is a sea of cellos, accordions, saxophones, and digitally manipulated sounds that hypnotize the listener into the dreamiest of states.
San Francisco-based duo the Rondo Brothers drops a sultry, slow-grooving electronic track–taken from their new album, Seven Minutes to Midnight–that's adorned with soaring female vocals, sprinkles of guitar chords, and a throbbing bassline that provides a firm foundation for the entire song. Makes me want to sway my hips.
The five dudes who make up future-funk trailblazing outfit Galactic hail from New Orleans, but one listen to their sixth album, From the Corner to the Block, and you wouldn't need us to tell you that. The Louisiana city echoes throughout this release, flavoring the brassy horns, Mardi Gras anthems, and, not to mention, in the numerous guest appearances by the city's local heroes.
Bémbé Ségué and Mark de Clive-Lowe have run all over the broken-beat/nu-jazz map, wowing fans and working with the likes of Platinum Pied Pipers, Dego, Spinna, and Kenny Dope. Making music as The Politik, the two continue exploring every jazzy hook and soulful chord it's possible to squeeze out of an MPC, and if this, their self-titled debut, is any indication, these two should be around a long time yet.
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