If the steady stream of club heaters is any indication, the Top Billin collective appear to have Finland's party scene on lock. The latest offering comes from Helsinki 78-82, a new project from crew members Flipper and Koobra. The duo's self-titled EP marks a creative left turn of sorts for Top Billin, as the guys eschew heavy bass and B-more beats in favor of sunny synth disco. While most listeners will gobble up "So Lifelike," a vocal remake of Lifelike's choice 2007 electro tune "So Electric," we prefer "Cruising," as its warbling keys and relaxed vibe are the sonic equivalent of sucking on an Otter Pop in a July heat wave. It's just the thing to perk us up in the dead of winter.
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Philadelphia's Golden Ages is another one of these bedroom producers whose actual identity is shrouded in mystery. Yet although we're not sure what his mom calls him, we do know that he's coaxing his undoubtedly lo-fi equipment into producing some of that obnoxiously named yet undeniably pleasant chillwave (no, we don't like the name either) à la Memory Tapes, Washed Out, Toro Y Moi, and the rest of the glo-fi gang. Comparisons and internet buzz words aside, "Everything Will Be All Right" is a soothing slice of spacey electronic pop powered by swirling synths, blown-out low-end, and Mr. Ages' ghostly vocals. His debut album, Tradition, comes out this spring.
It's nice to see New York's Michna taking a stab at remixing a Joy Orbison track that's not "Hyph Mngo." That song's breakout has threatened to completely overshadow the producer's other brilliant tunes, and, here, Michna gives "BRKLN CLLN" its due by pumping up the bass and percussive elements—making his hometown-referencing version a sort of laidback banger. Hopefully we can catch this track live during Michna's short jaunt around middle-America with Rusko. (via Mad Decent)
Characterizing Martin Dosh's music has never been easy. Take "Subtractions," which features scatting vocals, arpeggiating bass synths, stabbing string sections, and an entire roll call of percussive instruments. It could fall into the realm of Tortoise-esque, jazzy post-rock, but there is hardly enough "rock" in Dosh's sound palette to fit such a genre. It's the lead track from the Minneapolis musician's upcoming album for Anticon, Tommy, which will undoubtedly be filled with plenty more unusually pleasant sonic juxtapositions.
The beginning of Michael Fakesch's remix of "D-Tron" sounds like the revving of some over-sized futuristic train engine, and once the motor starts running the track happily chugs along. The original was produced by Denver's Scaffolding, but gets a rework here by Fakesch of Funkstörung fame. The resulting track is a carefree slice of techno that could put a grin on any dancefloor enthusiast.
Electronic producer extraordinaire Thomas Fehlmann moves easily between many genres, but is perhaps best known for his serene ambient works. "In the Wind" hums with warm synth washes, delayed bells, and intentional clips that bring rustling twigs to mind. Taken from Pop Ambient 2010, the latest installment of Kompakt's ambient compilation series, the track proves Fehlmann's staying power in all fields of electronic music. And to celebrate ten years of the Pop Ambient series, Kompakt is also giving fans a special anniversary gift: a mix from Popnoname featuring his favorite pieces from the history of the compilations, which can be downloaded here and includes choice selections from DJ Koze, Triola, and Pass into Silence.
The latest in DJ/producer Poirier's series of EP releases for Ninja Tune, all of which are leading up to his forthcoming full-length album Running High, Low Cieling is said to be inspired in part by his early years in the underground rave scene. The booming 808 kick which leads in and carries "Marathon," not to mention the playful synth melodies, lay testament to that, but it's the track's dancehall and bass inclinations that make this tune a real part of the Poirier sound.
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