UK producer Max Cooper (pictured above) is known for his dancefloor-oriented techno—check his recent rework of Abe Cooper and Blake Baxter for proof of that—but this remix of Brooklyn's Au Revoir Simone finds him applying a softer touch. Reducing the girls' vocals to ghostly reverb while delicately layering tinkling keys and warm sub-bass over the song's delicate original melodies, he transforms "Take Me As I Am" into six-plus minutes of sublime bliss. With remixes on the way for artists like Hot Chip and DJ Hell, not to mention more of his own original productions, 2010 is shaping up to be a big year for Cooper.
Downloads - Page 577
Leave it to Gavin Russom (a.k.a. Black Meteoric Star) to have one good idea and stick to it. On his version of "Accusations," one of many stellar tracks from The Future Will Come by fellow DFA compatriots The Juan Maclean, Russom re-records the original bassline using one of his homemade synths and doesn't falter from said melody throughout the song's entire 7-plus minutes. The track is taken from a recent remix collection commissioned by Scion A/V, featuring other reworks from Shit Robot, House of House, and XLR8R Artist to Watch Canyons, and stands as a strangely natural pairing of one of dance music's most pop-friendly acts with one of its more difficult to digest.
The original of "Cathedral With No Eyes" sounds a bit like Rob Barber (from High Places and the Urxed) channeling Primal Scream at their most apocalyptic and noisy. How Adam Forkner (a.k.a. White Rainbow) turned this railcars piece into a spacey, blissed-out carnival ride is slightly beyond comprehension. Nonetheless, the original's near-industrial percussion becomes bouncy and playful, its strained vocals replaced by Forkner's trademark cooing, and its hissing distortion is toned down to a cool sonic wash that builds to a roar by the piece's end. This excellent remix is taken from an upcoming digital and cassette release featuring Lucky Dragons, Panther, Former Ghosts, and others remixing "Cathedral With No Eyes." Look for that in February!
The Madvillainz Beat Crew might remain an anonymous cast of producers, but their remix of "Gazzillion-Ear" is anything but shadowy—the dusty, warm beats of J Dilla's original production are transformed into cutting stabs of bass, rim-shots, and a triumphant sonic atmosphere that nicely compliments DOOM's rich, confrontational rhymes. In a nod to the original's beat-switch, Madvillainz does the same, paying homage to one of the best beat-makers of our times.
It seems the world's current vampire craze hasn't limited itself to film and television. Swedish electro-pop songstress Josefine Jinder has used the iconography to make the backdrop of "Youth Blood," her ode to late-nightstalkers on the prowl for a good time. From the single's second remix EP, entitled Youth Blood Scandinavian Remixes, tech-house duo Boboes Kaelstigen give the track a filtered gloss-over suitable for ending the night's adventures. The release is out now on Trouble & Bass, who have also offered up a special promo mix from resident DJ The Captain.
German house and techno producer Rainer Weichhold throws a bit of a twist into his repertoire with his latest single, "Infernal." The veteran DJ seems to try something new—making techno beats with the sounds of classic disco. Instead of hypnotic synth and drum machine loops, Weichhold used samples of live drums and percussion, bass guitar, and string sections to bring his grooves to life. The affect is still as chilly as any run-of-the-mill techno track, but "Infernal" stands apart thanks to its unique sonic lineage.
Kid606's latest EP is a medley of sorts, featuring odds and ends from the Kid himself as well as remixes from Tigerbeat6 cohorts Eats Tapes and Baltimore weirdo Cex, among others. But perhaps the most proper techno track on the laughably titled Dance With The Chorizo EP comes from San Francisco's C.L.A.W.S.. Just imagine dub-techno minus the warmth, with some jackin' percussive bits propping up synth stabs and a retro, minimally inclined bass line. With some similarities to recent output from Chris Fortier's Fade label, this remix is the highlight of the EP, which comes out today.
XLR8R Downloads Player