Texas has long been a hotbed for DJs and producers messing about with cumbia and other Latin rhythms, and DJ Orion has carved himself a niche right in the thick of it. The former Yo Majesty tour DJ and leader of the Austin-based Peligrosa blog/party just unveiled Carajo Colombia, a collection of his own remixes and edits of classic cumbias and other Latin jams. "Ritmo de Juventud" finds Orion slicing up accordion riffs and slapping them down over a fiesty B-more beat—Carajo Colombia is loaded with these kinds of heaters, and the whole thing is available for free download. New Yorkers should also take note that Orion has left the warm confines of Austin this week, as he'll be spinning at the always-banging Que Bajo?! party with Uproot Andy on Thursday night at Santos Party House.
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This subdued piece of techno comes to us from the new Youandewan EP, Sub-Rosa, who crafted this dub of the original track by dOP. The Leeds-based producer's sparse, reverberated percussion nicely compliments the subtle, throbbing low-end and serves as the perfect backdrop for the chopped-and-screwed vocal loop to dance about from one ear to the other.
Our favorite global-bass-loving Germans, Schlachthofbronx, have offered up this back-to-basics remix of the latest tune by DJ Mujava, whose contribution to the forthcoming Ayobaness: The Sound of South African House EP follows a strange hiatus since releasing 2008's massive Township Funk single. The remix retains many of the original's elements, namely the melodic dual vocals, but tightens up Mujava's sounds for a giddy club track that could put some pep into anyone's step.
Brooklyn's Light Asylum just might be one of the biggest secrets in electronic music right now, but that is going to change soon. With an unstoppable sound that is as post-punk as it is synth-wave and a fierce live show fronted by !!!-collaborator Shannon Funchess, the duo is set to take the world by storm. With its punk beat, confrontational yet somehow romantic vocals, and crackling synth flourishes, "Knights and Week-ends" sounds like Alan Vega and Martin Rev taking over Joy Division. Playing this slice at a party will definitely get everyone out on the floor, shimmying and stomping like the world is about to end.
Taken from Daedelus' upcoming album, Righteous Fists of Harmony, "Order of the Golden Dawn" is a lovely slice of lounge-y music, featuring bossa nova instrumentation over a chunky hip-hop beat. Featuring the sublimely pure vocals of his wife Laura Darling, the track is perfect for intimate gatherings or a round of passionate afternoon sex, or as the ever-romantic Daedelus might prefer, lovemaking.
The Seven Fields of Aphelion has crafted a perfect album for ambient daydreaming with Periphery, and "Grown" is no exception: it expresses an intense wistfulness, opening with piano lines on top of drones and building to a swirl of piano-synth harmonies. High-frequency sine-wave dapplings and a healthy amount of delay round out the track's gorgeous ache. Though she's a member of Black Moth Super Rainbow, the simple grace of the Seven Fields of Aphelion's music is a most unexpected and welcome reprieve from the sensory overload often caused by that group's aural antics.
The UK's 10-20 cuts straight to the chase on its new track, "majik." Within five seconds, a fully formed beat jumps into the forefront, flanked by ephemeral sonics and swirling bits of electronic soundscape, and doesn't quit, save for a few seconds of intermittent reprieve, until the song's seven minutes are up. "majik" could be mistaken for an early-'00s Autechre cut, or something from maximalist producer Clark's catalog, though it manages to maintain a clustered aesthetic all its own. The track is taken off the forthcoming Mountain EP, the third in 10-20's four-part geographically conceptual Landform series.
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