Berlin-based American Juan Ramos is set to debut on San Francisco's Friends with Benefits label (who recently dropped a 12" from Hard Ton backed with a Matrixxman remix) next week with his The Mariner (For G.G.) EP. Here we have the record's title cut, a swimming piece of house which offers an alluring assemblage of water-logged melodies amidst its breezy swing. Fortified by a thick kick and evolving layers of percussion, "The Mariner" patiently builds a dense atmosphere across its six-minute run, resulting in a track that is unassuming in its presence, but with a groove that is nearly impossible to escape. Ramos' full The Mariner (For G.G.) EP will see its official release on July 29, and can be previewed via the player found after the jump. Read more »
Downloads - Page 9
Aashton is a burgeoning artist who has placed a number of quality tunes in our Downloads section in recent months. Now, the UK producer has elected to give away two tracks via a new digital EP, one of which is "I've Had Enough." Steeped in soulful chords, "I've Had Enough" is a sharp piece of low-swung club music which utilizes a good deal of playful percussion, tasteful vocal chops, juicy piano stabs, and a precise bassline during the course of its run. While this selection from Aashton's free EP can be download below, the tune's virtual flipside counterpart, "Status Ain't Crooked," can be heard after the jump. Read more »
Somewhere amongst the bushes and rocks pictured above is Crushfield, a Canadian producer who here offers his take on Animals as Leaders' "The Price of Everything and the Value of Nothing." On his rework, Crushfield loosely drapes the original track's math-rock-style guitar atop heavy-handed rhythmic elements: straightforward kicks and snares trade off hits as crisp hats fill the space in between. Eventually, the procession is met by subtle layers of sneaky arpeggios and a thick, restless bassline, which helps guide the track to the end of its five-minute run. Having appeared on a split 12" for the New Kanada label earlier this year, Crushfield will release another record through the imprint early next year, but not before delivering his debut live performance at the New Kanada label night in Toronto this weekend; more info here.
Montreal producer Phoebé Guillemot will soon release a new collection of tunes under her RAMZi alias via her own Pygmy Animals imprint. Pulled from the forthcoming Bébites cassette is "Nuptial Bébites," an adventurous track that is flush with tribal percussion, sci-fi tones, and unwieldy rhythmic snippets. Still, the Canadian artist finds a way to make it all feel cohesive—teetering atop of the wobbly beat, Guillemot renders a melody from tuned percussion, reinforcing it with a relaxed bassline and splashes of fuzzy chords. Expected to drop soon, the rest of RAMZi's upcoming Bébites cassette can be previewed after the jump. Read more »
Last month, Barcelona label Anemone debuted with the three-track Heliris EP from vowelless newcomer DNGLS. Here, we have "Downstep," a bonus cut from that record which patiently digs underneath layers of swirling strings and cyclical arpeggio patterns. Covering over seven minutes across its heavy-handed run, the track evolves in only the most gradual phases, becoming a more and more hypnotic affair as its tumbling rhythms chug along. Out now, DNGLS' Heliris EP can be previewed after the jump. Read more »
Formerly a San Francisco resident, Josh Mace is now an Akron, Ohio-based producer/DJ who is set to release his Without a Gimmick EP via the Car Crash Set label next month. Pulled from the upcoming effort is "Monolith," a dense production whose sonic weight comes in the form of thick, cyclical chords and detailed layers of dubbed-out sonics. Amongst the tune's rattling rhythms and weighted textures, Mace focuses on a single Nas sample, which is said to come in a variety of chopped forms across the artist's forthcoming Without a Gimmick EP, which will see its release in early August, to be followed by another EP from the producer for Barcelona's Tracy imprint.
It's not a coincidence that Lost Midas' upcoming Off the Course LP is slated for a summer-time release; languid guitars, hazy melodies, and a driving, mid-tempo beat make album cut "Archetype Forgotten" a good fit for endlessly warm evenings and sunlit road trips. Landing in similar territory as likeminded producers Tycho and Com Truise, Lost Midas doesn't overthink his task on "Archetype Forgotten," instead the LA producer weaves together sugary melodic lines and sun-kissed tones, rendering the track an effortlessly enjoyable experience. The rest of Lost Midas' Off the Course LP is set to drop on July 29 via the Tru Thoughts label.
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