The boys of Lazer Sword bring their bass-driven blap sound to CLP's collaboration with RQM, glitching it into a sharp, angular piece of hip-hop. RQM's vocals and intelligent rhymes smooth the edges a bit, but generally, this slice is perfect for floors where futuristic hip-hop and bass music reign. Pictured Above: CLP
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Sometimes, a remix sounds so little like the original that it's a bad thing, and sometimes, the opposite is true. Zombie Disco Squad's remix of Swedish pop wunderkind Erik Hassle falls firmly into the latter category, as it takes an embarrassingly derivative piece of emotional schlock and transforms it into a house track that includes bits recalling Derrick Carter's vocal cut-ups on his remix work. We're sure that Hassle fans won't be into the remix as much as we are, but then again, they're probably too busy crying in their rooms to notice that the remix exists.
There is an elegance to James Pants' compositions that rides beneath their funkiness. On "Thin Moon," the first single from his upcoming album, a spacey '80s synth loop is coupled with plucked strings, electric guitar strums, and ephemeral snippets of conversation. Coupled with Pants' high, melancholy croon, the piece maintains a graceful simplicity that is part Kelley Polar and part Dam-Funk. Lovely sounds for a lonely night.
Parisian label head and Italo patron Cosmo Vitelli and Tekel's Julien Briffaz are the automobile-obsessed Bot'Ox, whose leftfield new-wave disco offers some of the coldest productions in recent memory. On their remix of the French duo's latest track, "Blue Steel," Toronto's Azari & III take the track's chilly sounds and puts them into an even deeper freeze—making for a haunting number with singer Anna Jean crooning sublime melodies from what sounds like a barren ice tunnel.
The Bay Area's Roche was being as straightforward as possible when naming his new song "Space Blue Pt. 1." Released on Solos, the label he co-founded, Roche's cosmically soulful offering is equal parts Kraftwerk and Dilla with a sampled R&B bassline thrown in the mix for good measure. As the four-and-a-half minute journey begins to touch down, one can't help but speculate where the second part of "Space Blue" might take you—thankfully, it's the next track on the release.
Chillwave, glo-fi, haze-pop... You can tag whatever name you want onto the warped, fuzzy sounds of Toro Y Moi, but it doesn't change that the South Carolinan producer utilizes just as many genres for his songs as he does languages for his moniker. "Blessa" showcases many of those influences in style—ambient textures, faint guitar plucks, simple drum-machine beats, and plaintive vocal delivery à la Panda Bear—making the track a warm introduction to Moi's forthcoming debut album, Causers of This.
Fresh off their highly-touted debut album with singer Esau Mwamwaya as The Very Best, Radioclit keep the ball rolling with a reissue of their Secousse EP. The record comes complete with remixes from Brodinski, Round Table Knights, and, featured here, Riva Starr. Starr's treatment finds the UK producer relying on wobbling bass, a four-on-the-floor beat, and enough percussion and delayed synths to drive listeners straight to the dancefloor. If that kind of remix doesn't make you want to add the 12" to your collection, maybe the fur cover will.
- 20 Questions - Robert Hood Talks Underground Resistance, Kraftwerk, and Cheese Grits
- Hi-Five - Dauwd Selects His Favorite Tunes from the Kompakt Catalog
- 20 Questions - Teebs Talks New Album, Low End Theory, and Playing 'Street Fighter' with Flying Lotus
- Hi-Five - DJ Q Reminisces About His Five Favorite UK Garage Bootlegs
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