As subtle as their name implies, the jazz-influenced, moody tunes from Los Angeles' Nudge play like textured soundscapes matching what a Buddy Rich and Brian Eno collaboration might produce. Valet's Honey Owens provides the forlorn vocal melodies that float only slightly higher than the sparse instrumentation, like a helium balloon over a low fog before it slowly descends back to earth. Nudge's latest album, As Good As Gone, is available now.
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When German baile funk magnate Daniel Haaksman can tap Finnish Top Billin crew member Sharkslayer to transform the goofy bounce of his original version into a menacing electro monster, we think it's fair to say that the heavy bass movement has gone international. The Gostoso Remix EP also features contributions from Brazil's Edu K and João Brasil, Germany's Schlachthofbronx, London's Zombie Disco Squad, and Chicago's DJ Rob 3. Pretty soon we're going to need a United Nations of Bass to sort out these kinds of transactions.
About halfway through CFCF's latest track "Monolith," taken from his forthcoming longplayer Continent, you accept that the soft percussion you've heard since the get-go is the only beat you're gonna get. Then, about 30 seconds after you've come to terms with it, the Montreal-based, cinema-inspired Italo and house producer throws you a curveball, bringing in the high-hats that lead into the synthetic drum beat which drives the high point of his piece. The experience is short lived, but framed by a jazzy piano suite and bouncing bass synth, it's definitely worth the wait.
For years now, Jeff McIlwain has guided his Lusine moniker to the coldest of dimensions, subsisting in the tech-house underground where the chilled mist gives life to the bleakest of atmospheres. Now back on Ghostly International after a brief layover on the Hymen imprint, the Seattle native has cracked that realm wide open on his latest, A Certain Distance, and the view is breathtaking. Veering into pop territory, the warm synths and slinky melodies of this track are some of McIlwain's most buoyant offerings to date.
Normally, Zero 7's music is just a bit too, shall we say, Starbucks-y for us, but we just couldn't pass on posting this remix from U.K. funky DJ/producer Cooly G. Eska's golden pipes take center stage atop Cooly's shuffling backbeat while a chorus of angelic back-up singers help lift her melodies above the otherwise darkened production work. Cooly G's rework provides a sinister, minimal backdrop for the original vocal, twisting it into something better fit for Starbucks' back alleys.
Herky-jerky guitar rhythms, syncopated synthlines, and cyclical time signatures lead off this track from Black Square, the soon-to-be re-released third LP from Toronto's DD/MM/YYYY, who XLR8R featured back in June. Soon, however, the angles taper off into a pool of atmospheric vocals and reverberated percussion that entrancingly rises and swells before exploding back into the song's initial groove.
Portland's E*Rock gives fellow Pac Northwesterner Panther the bedroom-born electro-pop treatment on his lighthearted remix of "Like a Bridge," a track from the forthcoming Entropy album. Warbly vocals, 8-bit synths, and meandering atmospherics highlight the thoughtful ballad, making the track more suitable for that new crush tape you've been working on.
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