A Touch of Class is the remix duo the world's been waiting for. Known for taking electro-chances since the late '90s, Oliver Stumm and Domie Clausen have made clubs cry with infectious reinterpretations of everyone from Services to The Gossip to Le Tigre. The duo's latest offering, A Touch of Class Still Sucks!, is another collection of electro-slappers that has clubs on their heels.
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Michael Vater a.k.a. Phonique is one of those producers that straddles the tech-house-pop-everything else fence. Good Idea is filled with deep kick drums, the occasional vocal-house track a la Matthew Dear, and features a slew of collaborators from Gui Boratto to Steve Bug. "Always Wanted" is only a fraction of this Berlin-based producer's capability.
Evil electro will cleanse the soul–and Motor is top-shelf cleanser. These two London producers have mastered the art of melding metallic synth-lines and doomy drums for the harshest dance party imaginable. "Bleep #1" is the demon spawn of Nitzer Ebb and a reminder that Mute's dark tradition is well-kept.
Following the arty noise-pop tradition of Baltimore's Warm City crew (Ecstatic Sunshine, Dan Deacon), Videohippos have taken pop to another dimension. Featuring a collision of driving drums, catchy synths, and the remnants of '90s punk, VH is the B-More gift from the most accessible warehouse in the city. Unbeast the Leash is bound to turn some heads and convert some non-believers along the way.
It's been ten years, and Finnish-born, Berlin-based Vladislav Delay is still cranking out experimental dance destruction. "I Saw a Polysexual" is a dub-heavy sound collage that could light up any soundlab or club-ready crowd in seconds. Responsible for an array of monikers, including Uusitalo, Luomo, Conoco, and Sistol, this guy has done it all (seriously– house, noise, glitch, and collaborations with Black Dice and Massive Attack,). Whistleblower is another nice treat from an always challenging production kingpin.
San Francisco-based beatsmith Deejay OM is quite possibly the only producer who cites a passion for meditation and Yoga while still pumping out tracks for Thrasher magazine skate videos. His latest album, Reheated Naan and Curry, is a collision of boom-bap beats and exotic Eastern flair. When an Indian spot opens up next to an indie hip-hop club, business owners would be wise to hire OM as a resident. Photo by Rosie Kaperonis.
Contrary to what MTV2 may say, there is still a hip-hop underworld that's exempt from the whole hyphy craze, and A Plus is evidence of this. Representing the Hieroglyphics squadron alongside Del, Casual, and Opio, A Plus crafts hip-hop purity that places more importance on wit and rhyme than on referencing the net sum of his bank account. On "Patna Please," Plus dishes out a live-bass-driven, marijuana-friendly anthem for the East Bay elite. If the chorus is the boss here, then A Plus is by all means the CEO.
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