Wonder what Radiohead would have sounded like if they had discovered big, room-filling synthesizers during their U2-worshipping phase? The answer is 120 Days, a Norwegian quartet that creates giant, sweeping, rock epics powered by a thick distillation of guitars, bass, and rumbling analog synths. Rather than evoke new wave, these young rockers sound like late-’70s techno-punks mingling with mid-’70s prog-rockers over a 21st century Pro Tools rig, banging out cell phone-waving anthems for hipsters and nerds alike.