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Review: Hans Platzgumer Software

Label: Doxa

Whatever the genre, it's in Hans. With a staggeringly diverse discography since 1987 spread across top labels like Hausmusk, Disko B and HeimelektroUlm, Platzgumer enlists help from Anne La Plantine, Mego's Nachstrom and Tuxedomoon to brew up a mix of technowave, uber-electro, rave breaks, south Indian and dancehall drill 'n' bass. Yes, it's good as that sounds, provided you're a) truly appreciative and open to an ambitious piss-take of staid electronic music genres, b) dreaming of a cosmic jukebox hooked up to the mind of one crazy man or c) German. Read more » 

Review: Roel Meelkop & Tore Honore Boe Sovezacht

Label: Brombron

Following Heroin, the brilliant collaboration between Ekkehard Ehlers and Stephan Mathieu, Brombron (a label project between Dutch imprints Staalplaat and Extrapol) returns with their third release. And if Heroin rested on the periphery of one's consciousness, in one's memory, Sovezacht chronicles the very narrative of unconsciousness-or, more specifically, sleep. Moving from barely audible stillness through to a turbulent (hardrive) nightmare and back again, this album mirrors its cover image: a hovering pillow upon which the indentation of a sleeper's head once was. Read more » 

Review: Mira Calix Skimskitta

Label: Warp

Skimskitta is an elusive, ambitious work that's ultimately disappointing. The follow-up to 2000's more focused and accessible OneOnOne, Skimskitta possesses too many brief tracks that come off merely as quasi-interesting filler or failed experiments. Throughout Skimskitta, Mira Calix (Chantal Passamonte) uses her voice as a gossamer tarp under which she layers drones and dirges of varying hues and timbres, and she occasionally brings in some percussive bedlam to shake up the sonic stupor. Read more » 

Review: Mad Doctor X Chillonometry

Label: Bomb Hiphop

Hey, don't hate on the name! Read more » 

Review: Ted Leo Hearts of Oak

Label: Look

America's mod prince in waiting, Ted Leo, pops the trunk and gives us his second merciless full-length. While his previous album was a bit more satisfying-all blister'd hooks and visceral surging-Hearts of Oak splays open and shows that Teddy is more an honors grad from Beat Surrender U. He can both fill the dance floor at yr next house party and give up a poetic new lexicon to that special league of post 9-11 rage/disgust/Bush-induced apathy we've all got a-brewin'. Gleefully mashing polemics (think D. Read more » 

Review: Joshua Lardue Landscape Tracks

Label: Afterhours

Seeing as LaRue's a member of both Chicago's dubby post-rock outfit HIM (one of the best live bands I've ever seen) and D.C.'s The Sorts, it's not surprising that this album bears comparison to groups such as Tortoise and 5ive Style. Best known for his guitar work, LaRue here utilizes the digital studio to become a one-man band, with occasional help from guests such as HIM founder/drummer Doug Scharin and Fugazi drummer Brendan Canty. A playful and mellow instrumental rock album that makes excellent use of electronic possibilities without losing one bit of that great live feeling. Read more » 

Review: Hausmeister Weiter

Label: Karaoke Kalk

As Hausmeister, Christian Przygodda makes sublime house music. But, erm, not that kind of house. His delicately crafted pop vignettes are tailored for prosaic home activities. Part Sound Library cheek, part ambient etude, part Brian Wilson homage, Weiter sounds not unlike if Sean O'Hagan had grown up in Berlin and been raised on minimal tech-house and Caetano Veloso. Harpsichords neighbor 4/4 pulses. Breezy acoustic guitars neighbor drum machines. And your hand keeps hitting the repeat button. Smart hand. Read more » 

Review: Gresham It's Always Been There

Label: Function 8

At first, San Francisco's Gresham makes me think of Jamiroquai. But where the British group's singer Jason K could usually deliver soulful crooning and well-composed pop songs, Gresham's vocals lack feeling, as if he were singing in his sleep. It's an affect that works for a song or two, but by the end of the disc, we're all suffering from heavy eyelids. This well-produced acoustic rock album has some nice solos and melodies, but the result is mostly torpid melodic loops that have no destination. This is the feeling of a bar band that makes you want to leave and drink elsewhere. Read more » 

Review: Bottleskup Flenkemkenmike Looks Like Velvet, Smells Like Pee

Label: Broklyn Beats

For a lightning jolt, chomp into an electric blanket. It has a fuzzy layer, but when you get down to the core it's a shocker. The blanket of the moment was hand-woven by Bottleskup Flenkenkenmike a.k.a. Aiden Girt, a master of disguise. Mr. Girt is the drummer for Godspeed You Black Emperor! Read more » 

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