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Review: Fog Ether Teeth

Label: Ninja Tune

Sitting (or possibly bouncing off the walls) at the furthest and most difficult end of Ninja Tune's increasingly broad spectrum, is Andrew Broder as Fog and his second album Ether Teeth. It's difficult to know where to begin, such is the magnitude of things crammed into this record. Fog seems to have the ability to directly transfer the contents of his head into music. And those contents comprise a strange brew, with elements of country and western, jazz, hip-hop, rock, blues and electronica all circling each other in a peculiar dance. Read more » 

Review: Tussle Eye Contact

Label: Troubleman Unlimited

Rubbing some avant-dub style into their motorik steez, San Francisco instrumental quartet Tussle shows the world how to shut the fuck up and play non-stop. "Eye Contact" is propulsive junkyard boogie in a ghostly echo chamber, while the flip's version gives the drummer some-no, all-of whatever it is drummers take. Remixes, apparently, to come from Barry 7 and Drew Daniel, so hold tight. Read more » 

Review: Rei Loci Faction EP

Label: Seventh Sign

Scottish producer Craig Allen offers up a simmering and unique interpretation of the Detroit sound. The title track runs warm, punchy synth tones, singeing strings and loads of synthetic quack noises over a slight, spitting drum pattern. The flip's "No Neutral Surface" and "Lacuna" are more classically Motor City techno, but Allen's chaos-teasing keyboard work keeps them from sounding too derived. Read more » 

Review: Mystic No Competition

Label: Goodvibes

"Pull a baller?" That's a threesome with their ego. Mystic brings the realness for would-be suitors (and, yes, sucker MCs) over a rock-guitar-fueled beat by Native Tongue collaborator Supa Dave West. The Oakland songbird proves once again that femininity does not equal weakness. The flip, "That's Right," is a mellow manifesto produced by underground king Ge-o. Read more » 

Review: Rise Ashen Earth Dragon EP PT.1

Label: Fossil Fuel

"Rock This Beat" sounds awesome on one of "those" sound systems-you know the type where your trousers are flapping to the bass. The super super sub-low-end and general feel of this beauty lends itself to either a warm-up before it all kicks off in a big club, or one of those sweaty get-down tracks in a smaller dingy atmosphere-either way it sounds real good. Should drop a treat at Co-op. Move your feet. Read more » 

Review: Pressure Drop Food of Love

Label: One Eye Records

Reissues from Pressure Drop's early days find them comfortably nestled in a British downtempo party vibe that combines all things dub, house, trip-hop and friendly vocals, inna vintage Massive Attack/Groove Armade realm. "You're Mine" thumps four to the floor along anthemic female vocals, while tribal drum & bass skits across big, cheesy samples of "Big Noise" on the tune of the same name. Read more » 

Review: Mathias Schaffhauser Selected Remixes VOL. 1

Label: Multicolor

Relatively unknown outside the tight circles of Germany's tech-house scene, Mathias Schaffhauser has been creating major waves for more adventurous dancefloors. While this collection of his best remix work might be considered "minimal," the tracks are anything but: multilayered, heavily detailed sound evolutions that often take surprising twists, like the bongo breakdown in Digital South's "No Good," or the point in Luomo's "Tessio" that could be grimy UK garage if not for the Basic Channel-esque filterisms bouncing around the soundfield. An often quirky but solidly funky release. Read more » 

Review: RJD2 The Horror

Label: Definitive Jux

RJD2: friendly android cyber-bot or Definitive Jux sample-swapping producer? Read more » 

Review: Mark EG & Chrissi Internal Flux EP

Label: UpperCut

Converter is the track for me, with its addictive and intense analogue sequencing and tough Jay Denham-influenced funk. Sounds absolutely huge in a club-the floor reaction during the breakdown as the riff goes haywire has me speechless every time. Read more » 

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