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Review: Various Artists Broklyn Beats 7" Series

Label: Broklyn Beats

It seems NYC hasn't been content to stop at the noisy aggression of El-P's percussion, but instead appears to have befriended Alec Empire and Digital Hardcore based on this collection of dirty, rugged, industrial, chaotic beats. From droney hip-hop to tidbits of driven drum & bass buried beneath a million tons of sonic sludge to head-banging, sample-heavy gabber militancy, Broklyn Beats leaves no rhythm safe, as the likes of I-Sound, DJ /rupture and Rotator deliver enough sonic damage to bring the toughest rave-torn warrior down. Read more » 

Review: Various Artists Breakbeat Science Exercise.01 (Mixed by DJ Dara)

Label: Breakbeat Science

The overwhelming feeling of the first compilation from the Breakbeat Science imprint-which accompanies the store of the same name-is linearity. Whether the sensation of the individual tracks is melodic, pounding, ethereal or trancey, the overall effect is a smoothed-out, techno-influenced roll that would make this an excellent CD for a long drive back home from the rave. Dara mixes the entire thing seamlessly, and the track list features a lot of underrated American artists, including Kaos & Karl K, Datcyde, Abstract and Pieter K. Read more » 

Review: Toxic Girls! Nightmare for (13) Unlucky Boystars

Label: Tsunami Addiction

Is this just some self-indulgent riot grrl manifesto full of shallow, man-eating lyrics over shallower electropunk beats? Read more » 

Review: Veer Lideskape

Label: Source

Despite the glut of click/glitch-house albums emerging from Germany each month, few manage to reveal something unique and enthralling like this debut from Frankfurt's Ole Schulte (a.k.a. Veer). Initial comparisons come from the expansive, dub-drenched minimalism of Luomo and Basic Channel, but with one important distinction: heaps of funk. Old-fashioned funk, not the butchered-sample variety popularized recently by the likes of Akufen (or Todd Edwards, for that matter), but juicy, arms-flailing, waistline-contorting funk. Read more » 

Review: Mika Vainio In the Land of the Blind the One-Eyed is King

Label: Touch

With this, his fourth solo album, Mika Vainio journeys through rather different musical terrain than in the past. Best known as one half of Pan Sonic, Vainio's signature sound is that of his custom-made analogue synthesizers, with their incisive treble tones and penetrating sub-bass. Vainio opts for a less hermetic approach here, working in a more collagist manner using field recordings, the sound of crackling vinyl, and other non-synthetic sounds in addition to his trademark synths. Read more » 

Review: Unagi Unagi

Label: Kimosciotic

Wow, for once a music journalist proves he can hold his own when creating the same music he criticizes. The startlingly good debut album from San Francisco's Unagi (a.k.a. Brolin Winning, who writes about hip-hop) is the kind of album you want to crank up extra loud on a sunny spring or summer day, nodding your head along to the warm, soulful hip-hop beats while enjoying the company of friends and Northern California's finest herb. Read more » 

Review: Stateless The Art of No State

Label: Freerange

The Stateless project from Sweden's Andreas Saag picks up where Swell Session, his housier project for Hollow Records, left off, with a collection of lush, jazzy house and R&B. It's not a surprise to find this on Freerange-Stateless's glossy production and slight '80s tinge fit right in with Jimpster's most recent work. Nu-jazz-phobes might at first be put off by the ultra-lush production, fattened up with swollen synths, horns and Elsa Hedberg's swooning vocals. Read more » 

Review: Sleepwalker Especial

Label: Especial

After a noted (and now scarce) single on Kyoto Jazz Massive's Especial label, Sleepwalker drop a corker of an album, one which may seem a bit anachronistic to the casual listener. Raspy, Rollins-esque saxman Masato Nakamura leads a group that includes keys player Hajime Yoshizawa, bassist Tomokazu Sugimoto, and drummer Noboyuki Fujii in a session closer to combo-driven pre-fusion jazz on '60s-era Impulse label release than anything one usually finds in these pages. Read more » 

Review: Sharpshooters Twice as Nice

Label: Light in the Attic

Mr. Supreme and DJ Sureshot have deep-in-the-crates reputations that precede them, but make no mistake: this is not an obscure-vinyl wank-off. Instead, Supreme and Sureshot focus on production, fusing the best loops with live instrumentation in an appealing way. Most of the cuts are mid-tempo, groove-oriented affairs-minimalist, but not minimal. The Achilles heel is that the composition isn't as good as the production. While most songs feature terrific loops and grooves, they don't really go anywhere, and without progressions, even the best beats can become torpid. Read more » 

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