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Review: Youandewan Times EP

Judging from his slow-but-steady career, Youandewan could easily be characterized as a producer who is in no particular rush. Though the frequency of his releases has certainly increased this year, this follows a long period of silence from the Leeds-based DJ/producer, which seems like a sign that the man is willing to take his time. But perhaps an even better indication of Youandewan's patience is the gradual pace with which his productions themselves come together, a trait readily displayed throughout the four elongated offerings heard on the producer's new EP for the Secretsundaze label. Read more » 

  • Filed under: review
  • 05/15/2013

Review: JD Twitch Optimo: The Underground Sound of Glasgow

Eclectic DJ/production duo Optimo is made up of Jonnie Wilkes and Keith McIvor (a.k.a. JD Twitch), the latter of which is resonsible for mixing Optimo: The Underground Sound of Glasgow. And there probably couldn't have been a better choice for the task, as the resulting compilation makes for a brilliant introduction to the diverse, unusual, and often underrated electronic scene in Glasgow. Read more » 

  • Filed under: review
  • 05/14/2013

Review: Bibio Silver Wilkinson

Label: Warp

Six LPs into the career of prolific British producer Stephen Wilkinson (a.k.a. Bibio), and his palette seems to have solidified. Any fan knows what to expect on a given Bibio record: Pastoral English folk processed through analog tape, chopped up and threaded into a canvas of warm pop, carefully constructed melodies, and beat experiments. Silver Wilkinson, the artist's latest album, continues to refine the aesthetic; the record fits neatly in the progression of his two most recent efforts, the disjointed Mind Bokeh and 2009's excellent Ambivalence Avenue. But while Silver Wilkinson is mostly more of what's come to be expected from the artist, it manages to sound more like a true psych-pop record than Bibio has ever come before. Read more » 

  • Filed under: review
  • 05/14/2013

Review: Adult. The Way Things Fall

Label: Ghostly

It's easy to forget that when Adult. started out, the Detroit outfit was lumped in with turn-of-the-millenium electroclash acts. Though husband-and-wife duo Adam Lee Miller and Nicola Kuperus shared the genre's new wave-meets-art-punk aesthetic on paper, the couple was always more obtuse and insular than its unwitting peers. The group didn't cultivate a glitter-flecked stage presence like Fischerspooner, or practice theatrical aggression like Chicks on Speed, and instead saturated its sterile music with a skeptic's paranoia and a sense of uncompromising mayhem. Often, the band's mixture of post-punk, coldwave, and chilly techno was used like a scalpel to make the listener feel supremely uneasy. (The title for the band's second LP, Anxiety Always, still reads like a mission statement.) Now, six years after Adult.'s Why Bother? LP, its new record is finally seeing a release. And though Miller and Kuperus may have been absent for a while, their extended hiatus doesn't appear to have changed their bleak worldview. The Way Things Fall may represent a more streamlined version of the band, but Adult.'s commitment to churlish electro-punk is as staunch as ever. Read more » 

  • Filed under: review
  • 05/13/2013

Review: Julio Bashmore & Kowton Mirror Song EP

Label: Broadwalk

In an exciting move for the irrepressibly active Bristol music scene, two of its chief proponents are bringing their distinct styles into one whole. Matt Walker (a.k.a. Julio Bashmore) has been one of the leading lights of the UK club scene's mass embrace of house music, rising to a level that verges on the mainstream while maintaining the integrity and quality of his music. Kowton (a.k.a. Joe Cowton), on the other hand, has been working steadily within more underground—though still conspicuous—routes, releasing his own pioneering techno-grime crossovers on a variety of labels and collaborating with Peverelist on Hessle Audio and Livity Sound. Pulling Walker's and Cowton's ideas together seems like a feat in itself, but on "Mirror Song," the pair's first collaborative tune, each producer deposits his clearly identifiable cargo in simple and effective ways. Read more » 

  • Filed under: review
  • 05/13/2013

Review: Various Artists Grime 2.0

Label: Big Dada

In truth, grime must be beyond its "version 2.0" by now. During the decade-plus gulf between the pirate-radio and SoundCloud eras, dance music has undergone all sorts of developments, yet grime has kept its sound as looming and vertiginous as the Brutalist tower blocks casting shadows over the London neighborhoods which spawned it. Still, it has always made room for growth and permutation—not just inside the East End core, but also throughout the UK, Europe, Australia, and North America. Semantics aside, Big Dada's Grime 2.0 compilation—assembled by Joe Muggs, a longtime advocate for grime's continued relevance and vitality—is a valiant and successful effort to reveal just how far the style has come, even as it maintains the genre's own distinct characteristics of wild-out basslines, anthemic hooks, and transatlantic hip-hop signifiers reconstructed for its own purposes. Read more » 

  • Filed under: review
  • 05/10/2013

Review: Champion "Hydra Island" b/w "Prince Jammy"

Label: Formula

While its place at the center of attention in the dance-music world was fleeting, UK funky's effect on modern club sounds is important, and too often disregarded. Perhaps it was the genre's unfiltered energy—one of the elements that people seemed to fall for from the start—that caused it to burn out as quickly as it did. Or maybe it was because of the way it re-opened our perceptions of garage, grime, and house that it became more of a bridge to new ideas than an endpoint itself. London's Champion is one of the few producers who are still valiantly, faithfully flying the UK funky flag, as demonstrated by his new white-label 12" for his own Formula label. Read more » 

  • Filed under: review
  • 05/10/2013

Review: Various Artists Eglo Records Vol. 1

Label: Eglo

Alexander Nut's and Sam Shepard's Eglo label is an enterprise that truly deserves to showcase itself on a compilation like Eglo Records Vol. 1—a collection which encourages listeners to feel the breadth and cohesion of the label's aesthetic and discover the common thread which connects each affiliated artist. Across two discs, the musicians working with Eglo's unique blend of organically ripe funk and machine-built dayglo shine, and common pool of influences—boogie, house, jazz, soul, and J Dilla-school hip-hop—are explored and organized in a way which gives a well-rounded impression of one of the most reliable labels to emerge in the last few years. Read more » 

  • Filed under: review
  • 05/09/2013

Review: Vedomir Marcel Dettmann Remixes

Label: Dekmantel

There was a time when the suggestion of Marcel Dettmann remixing Mikhaylo Vityk (better known as Vakula, or Vedomir) sounded about as a odd as, say, Surgeon remixing Theo Parrish, but here we are. As much as the ultra-prolific Ukrainian producer has made his name on disjointed, soul-sampling house, he has lately been making moderate strides into the straightforward techno arena. There's hardly a better label to marry him with the Berghain mainstay than Amsterdam's Dekmantel, which has an established reputation for diverse offerings. The two tracks on the outpost's latest 12" appeared in their original forms on Vedomir's self-titled album from last year, and are subjected to Dettmann's reliably deft touch this time around. Read more » 

  • Filed under: review
  • 05/09/2013

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