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Reviews: Hip-hop

 
 

Review: Souls of Mischief Montezuma's Revenge

Despite not having dropped a group album in almost a decade, Souls of Mischief still have enough gusto to keep hip-hop heads listening. No, SOM's latest effort, Montezuma's Revenge, is not as consistently surprising as their classic debut, 93 ‘Til Infinity, but just because they don't outdo themselves doesn't mean members Opio, Phesto, Tajai, and A-Plus don't sound noticeably reinvigorated here. Read more » 

Review: Blockhead The Music Scene

Label: Ninja Tune

On his years off from making beats for Aesop Rock and others, Blockhead has assembled a group of instrumental LPs that stands solidly on its own, despite the generally shoddy reputation of instrumental hip-hop full-lengths over the past decade. The Music Scene adds new knots to Blockhead's sly, ironic take on boom-bap, incorporating shifting structures that spiral into changing tempos, half-remembered snippets of soul horns and gnarly old guitars, and occasional drifts into hazy, shimmering psychedelia. Read more » 

Review: Dam-Funk Toeachizown

Boogie revivalist and long-haired LA electro visionary Damon Riddick (a.k.a. Dam-Funk) wants to make music that lets your hair blow in the wind—a difficult task, but his massive Toeachizown offers just that kind of soothing experience. Full of retro-futurist '80s funk filled with smeared keyboard melodies and dirty beats, it’s perfect for banging out of a souped-up hovercraft and is easy to soak up and get lost inside. Buoyant backgrounds and vapor-trail synths mirror the mantras and platitudes that double as lyrics. Read more » 

Review: RJD2 The Colossus

If you never got "Ghostwriter" out of your head, you've probably been waiting for RJD2 to return to his beatsmithing roots. But instead of straight hip-hop, The Colossus is an omnibus record, swallowing brass-wielding collaborators, live instruments, hand-aged beats, and its creator's voice—all in service of a mission to unify RJ's pet genres via horn-blasted statements of intent fit for rollicking arenas ("Let There Be Horns"), menacing synthesizer pit traps ("A Spaceship For Now"), and intricate instrumentals. Read more » 

Review: Kid Sister Ultraviolet

Label: Downtown

Ultraviolet took three years to come out, but that duration only confronts the listener on "Pro Nails," the Kanye-guesting acrylics jam that broke Kid Sister: it sounds not so much dated as simply known—a remarkable shelf life for a blog hit. Nothing here challenges its single potential, but Ultraviolet thumps throughout (courtesy of production from boyfriend A-Trak, XXXchange, et al.), equal parts anthem-house and straight-up joyrapping. Read more » 

Review: Del the Funky Homosapien and Tame One Parallel Uni-Verses

Label: Gold Dust

In this Parallel Uni-Verse, that funk you like is back in style—if that funk is the laid-back, loop-heavy beat of '90s hip-hop overlaid with amiable wordplay harking back to Native Tongues and the Pharcyde. Read more » 

Review: DOOM Unexpected Guests

Label: Gold Dust

There’s only one thing better than a new DOOM album—a collection of supervillainous collabs. On Unexpected Guests, the artist list reads like a lyrical enthusiast’s wet dream: De La Soul, Vast Aire, Count Bass D, Masta, Talib Kweli, various Wu members, and more. Album highlights include “Sniper Elite,” on which Ghost and DOOM join up for black-ops fun over a Dilla beat, and the self-explanatory “Quite Buttery,” where the Count and the Dr. trade high-cholesterol lines. Read more » 

Review: Themselves CrownsDown

Label: Anticon

A decade after two young Oakland transplants came together as Themselves, the now-seasoned artists, MC Doseone and producer Jel, have returned from their many projects to reinvigorate the seminal collaboration. The resulting album is a digestibly eclectic piece of psychedelic hip-hop that easily rivals their past work. Read more » 

Review: Anti-Pop Consortium Fluorescent Black

Label: Big Dada

New York’s edgy hip-hop collective reunites to try for more minimal, Bladerunner-with-beats rap futurism.

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