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Review: Heartlesss Crew Why? (Sticky Refix)

Label: East West

Almost ten years on, DJ Fonti and MCs Mighty Moe and Bushkin reach a new and most accessible peak. Lovely strings stab at this "baby-why-ya-leavin'-me-just-cuz-you-caught-me" jam which offers up tight vocal harmonies on the chorus and a bumpy ragga verse. Big and tasty, like...oh, never mind. Read more » 

Review: Bunny Striker Lee The Cool Operator

Label: Smugg

Although it's impossible to cover master Jamaican producer Bunny Lee's whole career on one single CD, the existence of The Cool Operator is justified by the fact that the songs on this compilation were picked by Lee himself. In addition to his famous "flying cymbal" drum patterns, Lee was one of the first producers to re-use his own riddims for different singers. Read more » 

Review: Chaampion Soul Excursions

Label: Life Line

A Brooklyn broken-soul debut hits the ground running-fluttery congos and thumping bass glide beneath graceful and heartfelt vocals. Champion Soul breaks out of the broken beat box with a sound that's as ethereal as that of any of their UK associates. "Cancion" and "Por Que" features Mariana Vera's nouveau-bossa blues against a thick bed of organic percussion, as "Down Easy" breaks up the skanky, dubby mood with Kate Dwyer's sultry soulful crooning. Read more » 

Review: Matthias 'Matty" Heilbronn Ridddim Part 1

Label: Wave

Before you purists razz the rash of house and techno DJ/producers rediscovering dub, check this slab, the flipside of which finds our Matty taking this reggae-tinged tech-house tune into the modern downbeat echo chamber `a la Zion Train. An epic ting. Read more » 

Review: Pole 45/45

Label: ~Scape

The only thing harder than originating a brilliant, singular sound of your own must be abandoning it for all the mimics who've run with your steez. Stefan Betke tries his hand at it, nevertheless, losing his trademark tech-dub stylings for some newfound hip-hop flava. And though 45/45 has its fine moments, it still feels like he hasn't quite found the new footing for which he's clearly searching. Still, Pole on a bad day is better than most on their best. Read more » 

Review: Smash FX Brainkiller

Label: Rithmic

This Zurich duo churns out a sci-fi breakbeat killer that blasts huge synth stabs and vacuum bass, and riddles the driving percussion with drum & bass-style fills. On the flip, EK ups the ante with his remix, keeping the d&b touches while dubbing up the bassline and touching it with some electro. On point, like those watches they make. Read more » 

Review: Karen Stackpole Improv. Gong and Percussion Music

Label: Dielectric

Lush, huge dynamics ranging from chiming, piercing, scraping metallic rings to the rumbling deep bass of gongs & toms to challenge any sub-woofer. Solid and subtle electro-acoustic improvisations feature over 30 percussive instruments on a more traditional tip, except for a sustained and scary bass/digi remix by Die Elektrischen on the flip. Overall, sonic artistry made with love and care. Read more » 

Review: Dizzee rascal I Luv U

Label: XL

This record scares me. If I heard it in a rave' would probably go hide under a speaker. Dizzee Rascal rapping like some crazy aggressive coked-out Muppet over disastrous beats that are little more than grimy, ramped up Dillinja-style bass and a few breathy samples filling in for snare hits. This cheap-sounding record is doing for UKG what Birdman and the Cash Money clique have done for rap. Plus, it'll grow on you like a motherfucker. Read more » 

Review: Infekto vs. Will Power Don't Rush Me

Label: Passenger

Since his debut cut on Passenger, Finland's Infekto has been causing quite the stir in the nu-skool scene. With everyone from Gilles Peterson to London Elektricity wanting a piece of the action, it's no wonder Aquasky pushed through this follow-up single ASAP. Good for us, because it's nothing short of straight dancefloor mayhem. With his mastery of warping hooks, playful beats and bone-crushing basslines, this cat is here to stay. Read more » 

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