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Review: Various Prima Norsk 2

Label: Beatservice

There is a general perception that the Norwegians make electronic music that's reserved and polite. True as that may be at times, this selection of tasty little nuggets from Beatservice shows that there can be an edgier side to the Scandinavian sound. DJ Nils Noa steers us through cuts by Gork ("Sun Sets In Sector 5"), Bermuda Triangle ("Mooger Fooger"), veteran Bjorn Torkse ("Opp I Ura"), Kahuun ("Marinade") and many others, ensuring that for every innocuous, well-behaved tune, there are plenty of willfully leftfield vibes and fluid, spacey beat noir. " Read more » 

Review: Sugar Minott & Sizzla Collie

Label: Irie Vibes

The riddim for this one, Coming From The Country, is a great remake of the song "Oh Mr. DC" from Minott's Studio One times, produced by Clement Dodd. Sugar is my favorite: warm, big, sad and deep soul, great lyrics, big times. Sizzla's counterpart is not great work, feeding the younger crowds. Never mind-overall, a great record. Read more » 

Review: Ii Kamanchi Hold It Down

Label: Full Cycle

The second single from Krust and Die's much-vaunted collaborative debut album finds MC Tali telling a story of dancefloor culture over a bona fide Bristol runner. The flipside's Moving "Fast" sees Krust's influence prevail, with a bleak backing cooking up the congas like some kind of PCP-fuelled "Bambaataa." Read more » 

Review: Lizz Fields Bydaybynight

Label: self-released

The second thing you notice about Lizz Fields's debut album bydaybynight, besides Fields's beautiful voice, is how much farther she could have taken it-but didn't. The self-produced CD has some high points; on opener "I Gotta Go," Fields shows some great nuance, and "Star Gazer" is solid on all fronts. But many of the songs sound too alike, treading and re-treading much of the same territory. It's souled-out and mellow ground, yes, but you still wish for something to help Fields take that one more step into greatness; she sounds like she could have it in her. Read more » 

Review: Aztec Mystic Aguila (The Eagle)

Label: UR

The prolific Detroit-based DJ Rolando introduces a brilliant follow-up to his now-classic "Jaguar" on the ?ber-cool and mysterious Underground Resistance label. The very forward-thinking electronic production features the lushness and vibrant energy of disco strings, making this a natural for both house and techno DJs...which will also most likely keep it in my record box for a whole year!! Read more » 

Review: Five Deez Funky

Label: !K7

The problem with rap music today is that nobody knows shit about it. I've been sayin' lately that these days, some blonde girl in a Juicy Couture outfit driving down Rodeo Drive in a 2003 Range Rover on a cell phone could be noddin' her head to the latest 50 Cent exclusive 16-bar battle verse on a mixtape by K-Slay. Thank you Five Deez for puttin' out great music that still feels like I'm up on some new shit that hasn't been tainted by a Sprite endorsement. And secondly, who else can put out a track that's 132bpm and still sound so "Funky"? Read more » 

Review: LALI PUNA Left Handed

Label: Morr Music

The missing link between M?m and Stereolab, Lali Puna continues to weave subtle, emotive electropop yarns. Here, the killer is Left Handed Dub," a slow burning no sleeper that sounds like Neu! as recorded by King Tubby. " Read more » 

Review: Noiseshaper The Signal

Label: Different Drummer

The modern dub scene in Europe is like a hybrid car mechanic who puts together an array of parts and gears (Viennese stoned beats, German microtechno, ragga) to create a smooth-running engine. Noiseshapper's dub house ("The Signal"), dancehall punch ("All Dem A Do" feat. MC Juggla) and Groove Corp-style breaks ("Keep The Focus") will handle the Autobahn with ease. Read more » 

Review: Winston Riley Productions Dancehall Techniques 86-91

Label: Maximum Pressure

The most effective way to reissue Jamaican music is by focusing on its producers. Such is the case with Winston Riley, whose importance to dancehall music is nothing less than crucial. It was Riley who produced the famed "Double Barrel" and "Stalag" rhythms. He was the epicenter of dancehall's emergence in the '80s, launching the careers of Pliers, Admiral Tibet, Super Cat, Cutty Ranks and Buju Banton, to name a few. Dancehall Techniques showcases the early works of those artists supported by the crisp digital production that made them famous. Read more » 

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