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Review: Various Artists Tigersushi Presents: More God Dammed Music

Label: Tigersushi

The premise for Tigersushi's More G.D.M 12-inch series is fairly straightforward. Put a hard-to-find old-school, disco-punk or arthouse "classic" from the late '70s/early '80s (i.e. Gina X, Material, Cluster, Silver Apples, Chapter Three) on one side. On the other, put a corresponding song that shows the influence the aforementioned artist has had on contemporary producers (i.e. Metro Area, Maurice Fulton, Alice Machine, John Tejada). Read more » 

Review: Dillinja Live or Die

Label: Valve

The flipside's "South Manz," with its "bassline roller to shake the venue" sample and scary, high-pitched melody, is my favorite here, as Dillinja delivers a more rolled-out track that's still heavy on the bass & drum. "Live or Die" is classic Karl-an Amen rinse-out with plenty of guts 'n' glory. Bashy! Read more » 

Review: Son of the Dope Computer Starve For This

Label: Bless

Texas breakbeat imprint Bless unleashes a lovely collab between Lone Star boy Son of the Electric Ghost and San Francisco's Kemek the Dope Computer. The title track is a buzzy and bold tech-dystopia affair that remains funky by keeping the bass bouncy rather than UK-style-goopy. The flip's midtempo "Deeper" keeps the soul intact while injecting more understated FX. US breaks on the rise. Read more » 

Review: Metamatics Rewiredinmymanor

Label: Hydrogen Dukebox

The first in a three part series of remix projects for Lee Norris, who-as an advocate of eschewing normal industry routes-puts his money where his mouth is and lets unknown artists remix his work. Meeting these artists through the internet, Lee sent them elements of his unreleased track "Pod," and they have supplied their versions. The new talents, including Bauri, Verbose, Yasume and Sleepy Town Manufacture, have all stayed pretty faithful to Lee's unmistakably warm, Detroitian sounds and melodically experimental electronica. Read more » 

Review: Juju The Barrio Funk EP

Label: Phuturo

Taking it up a notch for the label's tenth release, Juju drops a monstrous double-pack that captures his vision perfectly. From the steady-pumping "Vampiros" to the Fabio-inspired "Far Away," Juju touches on all corners of his sound. "Silencio" takes it down that dark, growling road before the thugged-out remix of Red Army's "Salty Dub" proves to be the perfect knockout punch. Read more » 

Review: Russ Gabriel Into the Unknown

Label: Out of the Loop

Techno veteran Russ Gabriel (who directed his Ferox label for eight years) has been venturing into the nu-jazz world for some time now, most notably with recent singles on the consistent Out of the Loop imprint, which offers up this superb change of direction. Much like contemporary Ian O'Brien, Gabriel explores jazz-fusion in a dance context soaked in live instrumentation, as on tracks like "Patience," a garage burner with syncopated percussion, steady horns and Corinna Joseph's Beth Gibbons-esque croon. Read more » 

Review: Supremeex Koyaanisqatsi

Label: Arrakis

SupremeEx, the producer behind 2000's impressive "Projecto: 2501" EP, now comes with an interesting and well-developed 7-inch. The A-side, "640 Caravans Making Right Turns, " (no, I don't get the title either) is the sleepier of the two, though the underlying thumping drums keep it from getting stale. The flip, "Angelic Groove," continues the A-side's loop-stacking theme, but colors the atmosphere more than creates nifty polyrhythms. Nice. Read more » 

Review: Various Artists Seasonal Greetings

Label: Mobile

So what does a seasonal compilation sound like coming from a place where the winter holidays aren't garish displays of commercialism? Read more » 

Review: Subthunk Just a Few Notes Before You Go

Label: Ureneely

Say it a few times. "Subthunk." Roll it around a little; try stretching out one of the syllables. "Suuuuubthunk." Make it sound like a food, or make it more onomatopoeic, like an upended bowl of spaghetti hitting the floor. It's a great name, at once sensual and evocative while completely lacking actual meaning. Subthunk is a quartet comprised of curiously fictional-sounding fellows like Ant and Pharaoh, who make hyperactive keyboard-led instrumentals with drums and guitar synth making guest appearances and a nasty, slappy funk bass under everything. Read more » 

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