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Various Brazilian Live Affair Volume 4

Label: Far O

For sexy, you can't really go wrong with swirling Fender Rhodes, sultry Portuguese vocals, a light bossa beat and strings. That's good news for this compilation, which, thanks to Patricia Marx's "E O Meu Amor Vi Passar," starts off on exactly the right note. It's also got a great mix of classic masters (e.g. Marcos Valle, Joyce) and up-and-comers. For all its progressive electronic sounds, BLA has a legit base in tradition, as a few of the tracks are dug up from secret Brazilian vaults. Read more » 

Sutekh Micro-Solutions To Mega-Problems

Label: Soul Jazz

Following mate Kit Clayton's debut offering for Soul Jazz's new MSMG series, Sutekh offers a selection of trademark tech-house tomfoolery. "Mouth Party" stutters on vocal samples, like Akufen going vaguely garage. The deliciously titled "Scraping Nails" recalls tropicalista Tom Z? colliding with a humming refrigerator while "Boulez's Toes"-referring somewhat mysteriously to French arch-Modernist composer/conductor Pierre Boulez-proclaims it a party. One of Sutekh's finest moments. Read more » 

Goapele Closer

Label: Skyblaze

Folks are just getting a listen to this Oakland soul chanteuse, and this slab (from "Even Closer", the remix version of her "Closer") finds rubs by Zion I's Amp Live and his man Mike Tiger. The title track's minimalist downbeats and warm atmosphere do it right, and the duo then surprises with a bumpin' 2-step mix. The flip's "Childhood Drama" sees producer Johnson giving the track fat hip-hop beats and a nice Peruvian flute riff. Charged. Read more » 

A GRAPE DOPE Missing Dragons Ep

Label: Galaxia

Even more than fellow Tortoise drummer John McEntire, John Herndon has been a key player in Chicago's bustling post-rock/electronic-jazz scenes. Going solo as A Grape Dope, Herndon flexes his precise programming and quirky percussion chops to excitingly diverse effect over this EP's six tracks. Action: Showered Us" splutters out of the gate like a sloshed Squarepusher rupturing out-jazz and drill & bass, while "Red Hot Attack" (with Anticon's Doseone) puts odd Windy City torque to Dirty South hip-hop. Read more » 

Europa 51 Absstractions

Label: L

Europa 51 come round rapping sultrily on your door with one question and one question only: at what point do you go from being influenced by the meandering pastoral postures of Tortoise and the breathy, vocalized foxtrots of Stereolab to sounding like a college dive bar-inhabiting cover band? Read more » 

Teleddubgnosis Magnetic Learning Center

Label: Wordsound

Dub originated in Jamaica, but its addictive skank captures ears and hearts all over the globe. Broken down thusly, "tele" means far, "dub" stands for sound, and "gnosis" equals truth. Drummer Ted Parsons (Prong, Foetuus) and pals take dub to far-flung reaches of noise, electronics, and idealism. The Teledubgnosis core includes programmer extraordinaire Jason Wolford (of Decadent Dub Team-the Texas Tackhead), multi-instrumentalist/media artist Gregory Damien Grinnell, and former Pere Ubu bassist Tony Maimone. Read more » 

Viper Squad Neon Dawn EP

Label: Far Out

DJ Venom carves out some of his best stuff to date for Far Out. Between the flute and vocal sample-infused digi-bossa of the title cut, the Prefuse-evoking downtempo sample-mania of "Case Closed" and the dramatic Detroit-ish broken beats of "Universal People," there's plenty to get with here. Search out. Read more » 

The Soft Pink Truth Do You Party?

Label: Soundslike

Drew Daniel was the first "glam skater" I ever saw in SF. The Matmos member was decked out in a Thrasher shirt, acid-washed jacket, ripped stockings, and checkered lowtops with his face smeared with hot-pink mascara. This juxtaposition of urban grit and discount-store beauty abounds in his microhouse incarnation The Soft Pink Truth. With his hacked-up snares, ditzy electro-funk melodies and divas reduced to stuttering androids, Drew eliminates the need for electroclash. Read more » 

Gary Martin Viva la Difference

Label: Exceptional

Detroit-based DJ/producer Gary Martin wisely eschews the four-to-the-floor panic attack in favor of a subtle, nuanced album of floor-filling techno stompers laced with bold brass and synth blips (take "Casa Cugat" and the resonant, percussive insistence of "Cidade Marvilhosa," for instance), stripped-down breakbeat (the oh-so-sexy "Mambo Elektro"), and heart-in-throat, groovy minimal house tunes punctuated by pianos and the occasional vocal sample (check out the freaky goodness of "That's What I'm Talkin Bout"). Read more » 

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