In a scene where compilations fall by the wayside, it's refreshing to see a series make it to their 11th installment. Kiss-100 DJ and producer Phil Asher (a.k.a. Focus) has selected a variety of underground staples and high-profile recent classics, which all find sanctuary under the banner of "jazz-influenced house." Although the Shelter Vocal of Mondo Grosso's "Star Suite" clocks in at nearly fifteen minutes, its distinctive Eastern flute, joyful keys and narrative guardian angel vocals justify its inclusion. Read more »
In the poorly translated press release for Andreas Mügge's third D.Diggler album, the claim is made that "D.Diggler is redefining the rather too often heard terms 'minimal dub techhouse'-and gives it a new meaning." Whatever. The back of the jewel case notes Mügge is now booked through Sven Vath's Cocoon empire, so it's more plausible that the reason behind Sounds Fiction's überclub tranceyness is that the once-lone-man-with-a-clue in the German tech house scene has gone corporate. Mügge can still knock the floor-bangers out (c.f. Read more »
If Hed Phone Sex was the physical act itself, Fast Asleep is the moment of cuddling afterward, just before drifting off into hope-this-isn't-a-mistake land-every bit as pleasurable, but not quite as bone-shakingly intense. Which isn't a bad thing. Far from it, in fact, Funki Porcini's latest release presents the best that the late, great, sorely lamented genre known as trip-hop has to offer, and it's a dreamy, somnambulistic lullaby of rumpled sheets, remote controls and internal serenity fountains. Read more »
In 2002, you could have been forgiven for believing that every German house music producer possessed something akin to the Midas touch, so impressive was the continual barrage of releases from Kompakt, Playhouse, Trapez, et al. Andreas Greiner Jun (a.k.a. Frankman) has the dubious honor of demonstrating that, on occasion, they do ordinary, too. That's not to say Different Divides is completely undeserving of attention. Read more »
If Aaron Funk was a politician, his promise of three full-lengths by the year's end might have been as empty as a lot of our wallets. But as an obsessive producer, Funk came through and marked the conclusion to his triptych with a vitriolic departure from both the funky hypergrooves of his spring release, Higgins, and the spaciously glitched-out summertime collection, 2370894. Read more »
I approached this album with skepticism. How could this, the first release after the sudden break-up of New York experimental hip-hop trio Anti-Pop Consortium by the group's more wordy, abstruse and mohawk-sporting member Beans match his former group's mix of complex wordplay and minimalist electronic hip-hop beats? Read more »
Glasgow boys Crawford Tait and Gregor Reid cough up some twisted summery lounge disco on the A-side of this 10-inch. On the flip, their mellow tune "Lost" gets tweaked into Steve Reich-ish repetition by Pedro and floated into eerie psych-folk land by Fort Lauderdale. A trip and a half. Read more »
Having heard the excellent Volcov-compiled Irma compilation' had high hopes for Irma's latest release. It's not quite as accessible, but chances are that's where the Exhibition title comes in. Repeat listens provided a better view of its broad scope and more adventurous nature. Whereas Volcov's genius was in juxtapositions, Exhibition #2 seems like the efforts of a thorough "dig," as sublime remixes of Nubian Mindz and the Easy Access Orchestra cozy up next to the likes of Tibet's United Peace Voices and Japan's Soul Bossa Trio. Read more »
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