XLR8R http://www.xlr8r.com Accelerating music & culture Sat, 19 Sep 2015 18:19:02 +0000 en-US hourly 1 Deep Space Orchestra "Dream States" http://www.xlr8r.com/mp3/2015/09/deep-space-orchestra-dream-states/ http://www.xlr8r.com/mp3/2015/09/deep-space-orchestra-dream-states/#comments Sat, 19 Sep 2015 01:31:17 +0000 http://www.xlr8r.com/?p=102609 Deep Space Orchestra is the collaborative project of Chris Barker and Si Murray, a team of sophisticated music lovers that are currently based out of the UK. Since breaking on to the scene in 2011, the duo has released successful productions on labels such as Delusions of Grandeur, Quintessentials, and Instruments of Rapture. In 2015, the pair started contributing regularly to the highly eclectic KMAH station radio shows, and completed their debut album entitled Memory, which is due for release on their home-base label, Use of WeaponsNever wanting to sound like a one-trick pony, Deep Space Orchestra conjured up an original mood with its new album, and are now offering up a free download ahead of its album release schedule. "Dream States" is a bass led track that combines a visceral lust for rhythm with a soothing and warm foundation that also has its phasers set to stun. You can pick up a copy of Deep Space Orchestra's Memory LP when it drops on Use of Weapons on September 28.

Dream States

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M/R M/R EP http://www.xlr8r.com/reviews/2015/09/mr-mr-ep/ http://www.xlr8r.com/reviews/2015/09/mr-mr-ep/#comments Sat, 19 Sep 2015 00:00:59 +0000 http://www.xlr8r.com/?p=102566 Growing up in Queens in the pre-Internet ’90s, cross-pollination between sub-cultures was unavoidable, according to Billy Werner; he cites how punks, skaters, ravers, and hip hop heads all seemed to end up dancing at the pioneering NYC techno night NASA, the gathering famously depicted in the cult classic Kids. It’s with that same wide variety of influences that Werner has donned many musical hats over the years: singing for hardcore band Hot Cross, releasing disco-house records as Billy W on labels such as Nordic Trax and Marcos Cabral’s Hamilton Dance Records—and recently, making gritty techno under the alias M/R. Werner debuted the M/R moniker last year with an excellent 12” on Philly-based label Great Circles, eventually catching the ears of longtime friend and L.I.E.S. boss Ron Morelli, who included it in his best of 2014 list.

Prior to any techno debauchery, Morelli and Werner shared numerous bills in New York’s punk-hardcore scene, later sharing the DJ booth on Avenue A in the East Village to play disco and boogie sounds. “I’d been sending Ron stuff over the years, and my M/R stuff may have been a little unexpected for him, but I think the Great Circles release really clicked with him,” Werner remarked. After giving Morelli first crack at new material early in 2015, this 12-inch the result, with three of the new tracks and one older getting signed to the release.

The record's first cut, “Let That Shit Breathe”, is a dark slice of brooding techno with a menacing kick drum pumping; soon. haunting synths saunter in and add some wavy spook. “Just Say No” follows and slows the pace, shifting away from straight 4-4 in favor of a broken-beat laced with rolling swatches of cut-up drums, psychedelic samples and left-field atmospherics to create a heady arresting vibe.

On the flip is the head-nodding “Slinky Kids,” with a scratchy, modulating synth riff in the fore and slow-beat drums providing the backbone for the groove to wander in and out amid bright sonic flourishes. “Coconut Jar” closes out the release similarly to how it started: Dark, nasty four-to-the-floor techno and booming drums give way to a devious synth line laid on top.

All of Werner’s influences come through on this EP, with its four tracks bringing different styles and sonic qualities to the table. Werner’s affinity for kick drums and distorted, over-driven synths  harkens back to his punk DIY days with Morelli, but those influences turn out to be a mere vehicle for a true songwriter’s acumen, one that creates grooves that won’t leave your head. Already tipped as one to watch, definitely stay on the lookout for more M/R material in the near future.

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Ricardo Villalobos Returns to the US for Time Warp http://www.xlr8r.com/news/2015/09/ricardo-villalobos-returns-to-the-us-for-time-warp/ http://www.xlr8r.com/news/2015/09/ricardo-villalobos-returns-to-the-us-for-time-warp/#comments Fri, 18 Sep 2015 18:45:58 +0000 http://www.xlr8r.com/?p=102577 Returning to the US for the second year in a row on November 20 and 21, Time Warp US has announced its 2015 lineup.

Arguably the most enticing addition to the phase one announcement, which includes Luciano, Chris Liebing, Joseph Capriati and Seth Troxler B2B Jamie Jones, is the edition of minimal mastermind Ricardo Villalobos, who returns to the US for the first time since 2011.

Time Warp US will take place across two floors at the awe inspiring Bedford Armoury in Brooklyn, with Time Warp's "Cave 2.0" setup—which you can check out below along with last year's aftermovie—being shipped over from Germany for the event.

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The Lowdown: This Week's Top Posts with Helena Hauff, Mr. G, Dâm-Funk, Novation, Decibel Festival & More http://www.xlr8r.com/news/2015/09/the-lowdown-this-weeks-top-posts-with-helena-hauff-mr-g-dam-funk-novation-decibel-festival-more/ http://www.xlr8r.com/news/2015/09/the-lowdown-this-weeks-top-posts-with-helena-hauff-mr-g-dam-funk-novation-decibel-festival-more/#comments Fri, 18 Sep 2015 17:00:09 +0000 http://www.xlr8r.com/?p=102498 Subscribe to the XLR8R Lowdown

Throughout the week, a whole lot of material gets posted here on XLR8R. And while we know—and love—that some hardcore readers will eagerly pour over every single news story, interview, podcast, video, and MP3 download that appears on the site, we also realize that for most people, it's impossible to see everything. In the interest of making it easier for everyone to catch up, every Friday we present The Lowdown, a weekly wrap-up of the top post from our site. An expanded version of the The Lowdown is also available via our weekly email newsletter.

Podcast 404: Helena Hauff - roBOt Festival 2015 Edition

Helena Hauff doesn’t really fit the mold of the modern-day electronic musician. She continues to reside in Hamburg and actively avoids the limelight; she doesn’t self-promote or even attempt to communicate with her ever-expanding fan-base; you can’t even find her on Facebook, never mind Twitter.

Q&A: Mr. G

Longevity, consistency, and quality don't always go hand-in-hand—but for the U.K.'s Colin McBean, that seemingly comes effortlessly. His career dates back to the early '90s; among other claims to fame, he was the partner of Cisco Ferreira in the British techno outfit the Advent.

Q&A: Dâm-Funk

The spoken-word intro that leads off Invite the Light, the latest full-length missive from Dâm-Funk, comes with a proclamation: "If we invite the light, it will surely come to us," a processed, distorted voice informs us; "if we invite the funk, it will never let us down."

Review: Novation Launchpad and Launchkey 61

Novation’s Launchpad—which has now expanded to Pro, Mini, and app versions—has been a staple in the Ableton world (and the rest of the DAW world, for that matter) for many years now.

Ticket Giveaway: Win a Full Event Pass to Decibel 2015
creativelivedbconference (1)

For over a decade now, Decibel Festival has turned Seattle into an electronic music hotspot for one-week out of the year, showcasing some of the most reputable names in the scene at various locations around the city. Acts being featured this year include Marcel Dettmann, Bonobo, Daniel Avery, Dauwd, Nicolas Jaar, John Tejada, DJ Tennis, Lusine, and The Black Madonna, just to name a few.

News: Kode9 Announces Album Tour Dates for USA

September has been an exciting month for news surrounding Kode9 and his first solo album, Nothing, that is slated for release on November 2.

News: ADE Festival Completes 2015 Program

The nighttime program of the Amsterdam Dance Event (ADE) is now finalised. Between October 14-18, more than 2,000 artists will be appearing at over 340 events across the 100 clubs and spaces that are participating with ADE.

Weekly Selections: Bacchanale Festival, Symbiosis, Club IHC, and Decibel Festival

The inaugural edition of Canada's Bacchanale Festival began on September 6 with Lil Louis and September 16 with Pearson Sound, while its main events take place this weekend at Montreal's Old Port featuring live sets by Octave OnePhuture and Vril, and dj sets by Omar S, Answer Code Request, and others.

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Cooly G ArmzHouse http://www.xlr8r.com/reviews/2015/09/cooly-g-armzhouse/ http://www.xlr8r.com/reviews/2015/09/cooly-g-armzhouse/#comments Fri, 18 Sep 2015 15:47:26 +0000 http://www.xlr8r.com/?p=102459 The title of Merrisa "Cooly G" Campbell’s newest EP, ArmzHouse, is an appropriate one. The release is full of weapons for the club, one that likes its house music the same way it likes pretzels—twisted. This is the first release from the Hyperdub heroine since her last year’s solid Wait ‘Til Night LP, representing a further example of how Campbell is shedding the vocal hooks and keeping the focus on rhythmic balance—and it's one of her most straightforward and more engaging releases yet. Referencing the past, present and purple-laden future, Armzhouse has a ton of momentum behind every intricately-placed kick and snare.

The opener, “Trippin B,” is somewhat of a throwback in tone, but not in formula; it takes elements of classic late-'80s house, incorporates bassline elements from cuts we know and love—and then splices them, breaking apart the connection between the past and present by adding a synth line that’s curiously enticing. The next cut, “Booboo”, adds some signature Cooly vocal bits and pitch-downed sampling, keeping things fervent and formidable in its structure; the result feels like a filtered reverse-funky house track. Which may sound unusual—but one listen and you'll understand. “Waybay” (featuring Marc Perrineau) follows up by playing it safe and simple, not meandering far from the mischievous house path that it’s on.  “Flange City” follows a similar path but falls somewhat flat in its execution; it's a track with interesting elements, yet possessing a narrative that’s not entirely cohesive..

The finale comes via a mercurial magnet of a tune, “Horrors in the Dance”, which tosses elements of grime and funky together on a canvas and makes something spectacularly weird and wonky (in a good way). The tune has a nice callback to previous Cooly G cuts, with her signature kisses stamp kicking off the cut before moving in a direction that we’re familiar with, and finally going every which way to pack a wallop. That’s what ArmzHouse represents, in a way: Campbell is traversing different courses, finagling what works under the Cooly G guise. It’s not perfect, the release has moments that are gratifying and spellbinding. Wherever Cooly G chooses to go next certainly, she'll will have our attention—callbacks, kisses and all.

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LebLaze "Lexus" http://www.xlr8r.com/mp3/2015/09/leblaze-lexus/ http://www.xlr8r.com/mp3/2015/09/leblaze-lexus/#comments Fri, 18 Sep 2015 14:44:56 +0000 http://www.xlr8r.com/?p=102582 Brooklyn-based producer Ryan Rashee (a.k.a. LebLaze) follows collaborations with Prefuse 73 and super-collective Risil—which features members of Hella, Tortoise, Battles and School of Seven Bells—and releases on Asthmatic Kitty and Prefuse's Eastern Developments imprint with When Doves Fly, a bumping, nine-track beat tape on Geographic North. The nine tracks on When Doves Fly present a varied output, with raw, hip-hop instrumentals sitting side-by-side with more experimental synth-laden numbers. In support of the release, Rashee has offered up gritty b-side cut "Lexus," a short and sweet beat-driven outing with a chunky rawness and an infectious head-nodding vibe. When Doves Fly is out now on limited edition cassette tape, as well as digital, over at Geographic North's website, with "Lexus" available as a free download below.


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Vanguard: Roedelius http://www.xlr8r.com/features/2015/09/vanguard-roedelius/ http://www.xlr8r.com/features/2015/09/vanguard-roedelius/#comments Fri, 18 Sep 2015 08:00:34 +0000 http://www.xlr8r.com/?p=102310 The willingness to step into the unknown has been one of the keys to mankind's progress. Whether it's the willingness of humanity's ancestors to leave the place of their birth to seek fertile lands, or the desire of a theoretical physicist to delve deep intro the intricacies of the universe, the urge to go beyond what is known is essential to the act of discovery. That's as true of the artistic realm as is of any other, and it's been a driving force in the career of Berlin's Hans-Joachim Roedelius. Born in Berlin in 1934, Roedelius was, for a short spell, a child actor; later, in the '60s, he toiled as a physical therapist. But then, he made the leap into uncharted territory: In the final months of that decade, he, Dieter Moebius and  Conrad Schnitzler (of Tangerine Dream, among other claims to fame) formed Kluster, a wildly progressive, experimental outfit—considered one of the early progenitors of what became known as Krautrock—incorporating rudimentary electronics alongside more traditional instrumentation. By 1971, Schnitzler had left; Roedelius and Moebius carried on as Cluster, often collaborating with the likes of studio wizard Conny Plank (and later, Brian Eno) while continually pushing their sometimes jarring, sometimes atmospheric, always fascinating sonic explorations over a series of groundbreaking albums.

Harmonia: Complete Works

Harmonia: Complete Works

"We were learning from point zero," Roedelius recalls of those years. "We created something that wasn’t around before." But his forays into aural experimentation were just beginning. In 1971, he and Moebius moved deep into the idyllic Lower Saxony countryside, along the Weser River, where they were joined by fellow Krautrocker Michael Rother of the band NEU!. The three, after a short period of musical trial and error, formed Harmonia, a group that proved to be at least as influential as Cluster. Both precise and romantic, the band's music had a an idealized, dreamlike feel—one that leaned more heavily on synthetic sounds more than Cluster's recordings ever did—that was pastoral and intimate, yet full of joy and optimism. Their studio albums,  including 1974's Musik Von Harmonia and the following year's Deluxe, are considered touchstones of electronic music to this day; Eno famously praised Harmonia as "the world’s most important rock group." (Not bad for a band that eschewed 99 percent of rock music's trappings.)

After recording what was eventually known as the Tracks and Traces album in 1976—which went unreleased until 1997—Harmonia disbanded. Rother is still playing, but sadly, Moebius passed away this past July—Roedelius, however, is seemingly as active as ever. Working both solo and in conjunction with others, his penchant for experimentation still runs strong—and as if to prove the point, his latest release is a collaborative work with Gotan Project's Christoph H. Müller called Imagori. Released on the Grönland label, it's an album-length set that's rich, warm and occasionally dense, with Roedelius's rippling piano work weaving its way through Müller's electronic backing. And on October 21, Grönland is putting out the sprawling Harmonia box vinyl set Complete Works, with Musik von Harmonia, Deluxe, Tracks and Traces, Live 1974, and Documents 1975 (previously unreleased recordings from Hamburg gigs along with a pair of studio tracks) accompanied by a 36-page booklet, a poster, pop-up artwork, and a download code for the full set in digital form. In the midst of all this activity, XLR8R caught up with Roedelius via Skype; on the eve of his 81st birthday (October 26, in case you are wondering), he was funny, charming, and seems to have lost none of the joy that a career spent exploring can bring.

What was the genesis of Imagori? How did you first meet up with Christoph Müller?
I was working in Paris with some designers on a project called Grateful Vanity. They created two sound sculptures, and they wanted to present it in a special way at this big art center near Paris, so they invited Christoph to come and join me for an improvisational set. We liked what we did so much that we decided to do something else together afterwards.

Müller isn’t exactly a kid—but he does come from a different generation of artist. And you’ve certainly collaborated a lot in the past; much of your career consists of these ever-morphing partnerships. Do you enjoy working in collaboration, and specifically working with younger people?
It’s always been collaboration; Cluster was certainly a collaboration, for instance, and much of what I’ve done since then has been as well. And much of it has been with younger people. Not many people are as old as I am! [laughs] So I guess it’s a bit out of necessity. But I do enjoy working with younger artists.

Christoph Müller and Hans-Joachim Roedelius.  Photo: courtesy of Grönland

Christoph Müller and Hans-Joachim Roedelius
Photo: courtesy of Grönland

Your music, especially your work with Cluster and Harmonia, undoubtedly had a lot of influence on many of those younger artists.
Yes, and I think that’s because what we were doing was so authentic. We were learning from point zero; we created something that wasn’t around before; it was musical actualism, in a way. We were doing things step by step, and had to learn how to do it in a relevant way—relevant to people’s ears. It took a long time to do do it; after Cluster began, I think we needed about three years before we became aware that what we did was becoming something that people really liked.

"We always liked what we were doing—we had our concept, we were developing our own tone language, and we were happy with that from the start."

That must have been quite a fulfilling realization.
It was, even more so because we came from such different professions, none of which were music. Moebius was from graphic design, Schnitzler was someone who worked with metal, and I was a physical therapist. It was a strange base for what we ended up doing afterwards. But we always liked what we were doing—we had our concept, we were developing our own tone language, and we were happy with that from the start. That was a challenging and interesting time—creating something out of a moment, however we were able to do. And I think people could get the feeling that we were having fun doing it.

You really do get a sense of playfulness when you listen to the music. Do you think that because you were starting from a naïve musical viewpoint, that allowed you to develop your music—to create that tone language—in the way that you did?
Yes, and that’s the big difference—because we did it from our own impetus and not someone else’s, we were able to do what we did. We had no plan about what would come out. After time, we became more and more aware of what we were doing, and really liked what we were doing—and at some point, people all over the globe liked it.

You sound a bit surprised at that.
I am. I still am. [laughs]

Going back to Imagori, how did the album’s songs take form?
I had some stuff which was not yet elaborated, and I really though that there should be somebody who could work with it as a base for their own ideas. Christoph was the right person for it; he really like the stuff, and he really was excited to be working with it. He had some time between working with Gotan Project and working with Plaza Francia, and he really got into it. And I think you can see how much he liked it in the result! I like it very much; it’s very different from music that I am usually involved with. And I think it’s different than his music as well.

It’s nice to see your old friend Brian Eno on this album’s “About Tape.”
Yes, it is! It was Christoph’s idea hat we use the words from an interview Eno had done. I was in London, and I met up with Brian and told him, “We did a piece with your text on it!” “Oh, you did?” [laughs] He didn’t even listen to it; he just agreed in the first moment that it was okay.

What did those original sketches that you gave to Müller consist of?
What I gave to him were just these very old things done on very old equipment. There was a lot of things done on piano, and a lot of it was on old synthesizers. It was actually quite diverse.

Do you have plans to continue to work with Müller?
We do. We have already played live together a few times, trying to recreate some of this material but in a different way—to revitalize it. We were remixing our own remixes, in a way.

I’m guessing that you get a kick out of remix culture.
It’s a great culture—I love it. So many good and astonishing projects have come out of it.

"It was a very vibrant time—everything was new, everything was interesting, and everyone around us was deeply into what was going on."

Besides Imagori, you also have Harmonia’s box set, Complete Works, coming out soon. Going back to Eno for a minute, he was quoted as saying that Harmonia was the “world’s most important rock group.” That’s quite a declaration.
Yes. [laughs] David [Bowie] and Brian really like what we were doing. It was around the same time that they were doing Low and Heroes, and we each were influenced by the other. It was a very vibrant time—everything was new, everything was interesting, and everyone around us was deeply into what was going on. Harmonia’s work was quite deep in a way, I think.

And it was hugely influential; you can draw a pretty direct line between what was going on in Berlin and its surroundings back then, and so much great music that came after. Were you guys aware that you were doing important work at the time?
Not really. We just did it. We made [Cluster’s] Zuckerzeit and Sowiesoso at around the same time. We were in a special situation, in the middle of Germany beside the river, and we had to work a lot. We had to go to the forest to cut the wood; we had to grow our own garden. We were really going back to our roots, away from noise and the psychology of the city, and that’s part of what dictated the way that we worked. It was like living in paradise, and that shows up in the music.

It is quite a utopian sound, and that might be why it holds up so well.
I think so. And I hope that this release will get a lot of people to hear it again, or maybe for the first time. And I think Grönland did a great job with this. It’s such a gift for us—and I think it’s a gift for the world, as well. I hope that this brings us a new type of audience…a new generation. I know that a lot of young musicians really like the music, and refer to us as influences.

You worked with Conny Plank on the Deluxe album, and he was also a big part of Cluster’s sound. What was he like?
He was a great guy, and a good, good friend of ours. He was so much more than a sound engineer; he had huge artistic abilities, and had so much input into everything. He wasn’t just a sound engineer—he was a great musician as well. He was on so many important productions, more than I ever was. For a long period of our lives when we were very poor artists, he gave us homes, he fed us…he was hugely important.

He’s one of those guys who was sort of in the center of everything, to the point where modern music may have developed far differently if he hadn’t been around.
Yeah, that is for sure. He was the nucleus of so much.

"There is no split between my music and my private live. Work, family, life…it’s all one."

The name Harmonia fits your music so well. Was it meant to describe the sort or music that you were making?
Well, it was really about the situation in which we were living, in this beautiful place, which was somehow harmonious. Michael Rother is still living there.

Dieter Moebius also was still there, but now he’s not with us anymore. But Michael is still there. You should go there someday!

You left there quite a while ago, and are now living in Austria, right?
I’ve been in Austria since 1978. My wife is Austrian, but the real reason that I left that beautiful utopia is that the nuclear plant upriver broke—and nobody told anybody. Some kids died. Our first child, our daughter, had just come to birth, and when we did find out about what happened, we immediately moved away. And since my wife is Austrian, we moved to Austria—which was really a good step. Getting somewhere new was good, but being in Austria really helped me a lot in so many ways. I got pensions from the state, from institutions, from private people…I wouldn’t have been what most of what I’ve done since ’78 if I had not been in Austria.

Well, thank you, Austria!
Yes, thank you very much, Austria! The kind of support that they give to artists is very important to the Austrian spiritual culture.

When your Sinfonia Contempora No. 1 came out in 1999, you stated “"Since the beginning of my career nothing was more important to me than to find my own musical language. I have, so I believe, eventually found it." Do you still feel that way, or is it an ongoing process?
I found it. I know that what I am doing is me. There is no split between my music and my private live. Work, family, life…it’s all one. I wouldn’t have been able to keep doing what I do if I hadn’t have discovered what it is that I am doing. And I think that the ancestors took the first steps to what I am doing now: Cantors, preachers, teachers and the others have all prepared the way that I am going.

Imagori is out now; Complete Works comes out October 21.

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Nils Frahm & Ólafur Arnalds Prep Collaborative Works on Erased Tapes http://www.xlr8r.com/news/2015/09/nils-frahm-olafur-arnalds-prep-collaborative-works-on-erased-tapes/ http://www.xlr8r.com/news/2015/09/nils-frahm-olafur-arnalds-prep-collaborative-works-on-erased-tapes/#comments Fri, 18 Sep 2015 01:28:54 +0000 http://www.xlr8r.com/?p=102486 On October 30, UK label Erased Tapes will release a collection of music from composers & producers Nils Frahm and Ólafur Arnalds entitled Collaborative Works.

The special 2-CD set will compile the artists' three previous EPs—Stare (2012), Life Story Love And Glory (2015), and, most recently, LOON (2015)—along with seven new, previously unreleased works Nils & Ólafur composed while in the studio filming their short documentary, TRANCE FRENDZ—a film that chronicles their friendship and creative process.

One of the newest pieces streaming from the collection is "Four", taken from the LOON sessions, an ambient journey steeped in melancholic tones recorded straight to 2-track 1/2-inch tape.

LOON will be available individually as a 12" on October 2 via Erased Tapes Shop. The previous 12"s are available now via Erased Tapes Shop & Arnaldsfrahm.com.

For more info on their collaborative process and TRANCE FRENDZ, Nils & Ólafur had this to say:

"The music on this CD is a collection of our studio collaborations from recent years. We would meet in Reykjavik or Berlin with the intention to share some days off work, hiking, swimming or eating pizza. That is great for a couple days, but after a while we would always end up back in the studio, fiddling with synths or pianos. This collection of recordings cannot be an album. It will remain a collage of our studio experiments of the past. It simply is convenient to have them all together here, so you don't need to look out for some limited 10" somewhere or deal with a nerdy record dealer in Japan to track down this one 7 ̋ which will turn out to sound pretty rough anyways... consider them as moments in space and time where we shared the same room for some days to come down and enjoy making music.

After deciding to release the studio collaborations, we planned to do a video session of us performing an improvised duet to promote the release. On the 28th of July 2015 we met up at Durton Studio in Berlin and invited Alexander Schneider and his camera to document it.

But instead of ending the session after the first take we continued improvising throughout the night, ending up with several new pieces written and recorded in eight hours with no overdubs and no edits. We felt there was something special in these songs as they arrived so quickly and unexpectedly, remembering that our friendship and collaboration originally started with live improvisation on stage. At the end of the night we had all this music that sounded unfamiliar even to us, loudly asking to be included in this collection."



01. Four
02. Three
03. Wide Open
04. w
05. m
06. a1
07. a2
08. b1
09. Life Story
10. Love And Glory


01. 20:17
02. 21:05
03. 23:17
04. 23:52
05. 00:26
06. 01:41
07. 03:06


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Matthias Tanzmann Announces 15 Years of Moon Harbour Tour http://www.xlr8r.com/news/2015/09/matthias-tanzmann-announces-15-years-of-moon-harbour-tour/ http://www.xlr8r.com/news/2015/09/matthias-tanzmann-announces-15-years-of-moon-harbour-tour/#comments Fri, 18 Sep 2015 01:19:22 +0000 http://www.xlr8r.com/?p=102485 2015 marks the 15th anniversary of Mathias Tanzmann's Moon Harbour Recordings, a label which has been at the forefront of house and techno since its inception in 2000.

The diverse and ever-evolving label has released a multitude of dancefloor destroying records from artists such as Luna City Express, Sable Sheep, Adam Port, Re.You, Ekkohaus, wAFF, and DJ T., creating a family-like vibe which the label head reflects on: “I was still pretty young when we started the label in 2000, so we have all grown up together for 15 years now. Moon Harbour is like my child. I am happy many artists joined the family or became good friends and that the label has become a home for all of us.”

To celebrate its 15 years, Moon Harbour is embarking on a world tour, as well as an anniversary compilation with exclusive tracks by Moon Harbour artists and friends, along with rereleases of the most successful tracks from the last 15 years.

Upcoming tour dates can all be found below.

Tour Dates:
03.10.15 Supermarket, Zürich (CH)
10.10.15 Die Kantine, Vienna (AT)
11.10.15 Local 29 Sala Passion, Málaga (ES)
23.10.15 Hidden, Manchester, (UK)
1st & 2nd Weekends in USA -TBC
17.11.15 Distillery, Leipzig, Germany (DE)
20.11.15 Sala Marco Aldany, Madrid (ES)
21.11.15 Watergate, Berlin, Germany, (DE)
27.11.15 Juice Club, Bergamo, Italy
04.12.15 Blue Marlin, Dubai (U.A.E.)
11.12.15 Rave On Snow, Saalbach Hinterglemm (AT)
18.12.15 South America - TBC
19.12.15 South America - TBC
25.12.15 Cafe D'Anvers, Antwerp (BE)
January (2016)
01.2016 BPM Mexico -TBC
+ more dates TBA
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Premiere: Hear a Track from Lrusse's New EP on Monologues http://www.xlr8r.com/news/2015/09/premiere-hear-a-track-from-lrusses-new-ep-on-monologues/ http://www.xlr8r.com/news/2015/09/premiere-hear-a-track-from-lrusses-new-ep-on-monologues/#comments Fri, 18 Sep 2015 00:19:00 +0000 http://www.xlr8r.com/?p=102470 Lrusse—Behling from Bristol duo Behling & Simpson—will drop his latest EP, Ynyslas, on Monologues Records on September 28.

Making increasing strides into solo territory, Behling drops three chunky, groove-led cuts under his Lrusse moniker. Kicking off with its bass-heavy, sunshine-tinged title cut, the EP moves through the gritty and sprawling "Cut Through," before ending on the broken beat moody bomb that is "Plus One," with all three cuts beautifully showcasing Lrusse's deft production skills and a first-class variation of moods and ideas.

Ynyslas will be the sixth release for Monologues Records, which was launched by Ben Gomori in January this year with the label podcast, which features artists mixing an hour of their own tracks, with guest such as Peter Kruder, Till Von Sein, Melon, Uffe, Patrice Baumel, and Jori Hulkkonen all providing stellar mixes. Ahead of the EP's official release, you can stream "Cut Through" in full below; with a preorder option available here.

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Weekly Selections: Bacchanale Festival, Symbiosis, Club IHC, and Decibel Festival http://www.xlr8r.com/news/2015/09/weekly-selections-bacchanale-festival-symbiosis-ihc-and-decibel-festival/ http://www.xlr8r.com/news/2015/09/weekly-selections-bacchanale-festival-symbiosis-ihc-and-decibel-festival/#comments Thu, 17 Sep 2015 19:00:37 +0000 http://www.xlr8r.com/?p=102316 The inaugural edition of Canada's Bacchanale Festival began on September 6 with Lil Louis and September 16 with Pearson Sound, while its main events take place this weekend at Montreal's Old Port featuring live sets by Octave OnePhuture and Vril, and dj sets by Omar S, Answer Code Request, and others.

Symbiosis Gathering celebrates its 10-year reunion today until Sunday at the Northern California Woodward Reservoir in Oakdale with over a hundred musical acts such as Nicolas Jaar, CocoRosie, and Four Tet, as well as workshops, an alchemy village, and live art component.

This Friday in XLR8R hq Los Angeles, the IHeartComix crew hosts S-Type's first LA show along with Brooklyn-based dance music producer Obey City (both on the Lucky Me label), with additional acts including Heathered Pearls and Neo Fresco.

Taking a sneak peak, Seattle's Decibel Festival kicks off next Wednesday with five days of musical performances including the experimental concert series Optical, boat parties and hosted showcases including the dB After-hours II: XLR8R event with Marcel Dettman, Function and Vril, and workshops and discussion panels as part of the dB ConferenceXLR8R will be on the grounds from day one sharing regular updates throughout the week.

Each Thursday we highlight a selection of events taking place in the U.S., Europe and beyond, and welcome our readers to submit events for consideration. To submit a new event or to search events in your city visit our events page.


hundred nico jaar

TheHundred Presents - Nicolas Jaar
Club Vinyl - Denver, CO, US
Symbiosis Gathering 10 Year Re:Union
Woodward Reservoir - Oakdale, CA, US
Hidden Roots Residency Night - A Night w/ Alex Loaiza & Mario Polanco
TBA Brooklyn - Brooklyn, NY, US
Cooly G (Hyperdub)
Fuse Art Space - Bradford, West Yorkshire, United Kingdom
HODGEPODGE - Live music / DJ night
Mama Shelter - Los Angeles, US
DJ Harvey (Open to Close) at Output
Smartbar - Chicago , IL, US
A Family Affair | The Saunderson Brothers + Huge Special Guests
Cielo - New York, NY, US
The Magic Number Presents Everything Soulful | Antonio Ocasio/ Jihad Muhammad in The Panther Room
Studio 80 - Amsterdam, Noord-Holland, Netherlands


Jan Blomqvist at flash

Jan Blomqvist LiVE with Vinyl Speed Adjust
Flash - Washington, DC, US
Esscala: Rabbit Hole Nights | Eco (Open To Close)
Cielo - New York, NY, US
Cloak & Dagger Music Festival (Dallas)
Gas Monkey Live! - Dallas, TX, US
Hazy Vision on The Roof | A.Arias/ Minutia/ Me&Gio/ Marco Petrazzi
Peters Birthday Tour At TBA
TBA Brooklyn - Brooklyn, NY, US
Need & Necessity
Bar Standard - Denver, CO, US
Public Works 5 Year Anniv. w/ Dusky, Pumpkin & Bwana
Public Works SF - San Francisco, CA, US
Club IHC with S-Type, Obey City, Neo Fresco, Heathered Pearls
Los Globos - Los Angeles, CA, US
JUST the TIP! wsg DJs Andy Toth, Eric Hinchman & Charles Pearson
Northern Lights Lounge - Detroit, MI, US
Bacchanale festival 2015 : ANCIENT FUTURE
Oktave 6 Year Anniversary With Drumcell, Project 313 and Jeff Derringer
Smartbar - Chicago , IL, US
Keinemusik Showcase | &ME/ Adam Port/ Justin Miller + Dave Turk/ Mike Terra/ Brian Best/ Zeni Karpuzi + Special Guest in The Panther Room
Output - Brooklyn, NY, US
Framework presents All Gone Pete Tong | Chris Malinchak
Sound Nightclub - Hollywood, CA, US
Proper Vibes DC Series ft. Dirty Chocolate
Zeba Bar - Washington, DC, US
FABRICLIVE 18.9 w/ Groove Armada, T.Williams, Jimmy Edgar & B.Traits
fabric - London, London, United Kingdom
Tender Hooks
Studio 80 - Amsterdam, Noord-Holland, Netherlands
RINSED: Disruptive Patterns
Location TBA - Brooklyn, NY, US
Electromotive Force
Berghain/Panorama Bar - Berlin, Germany


cloak and dagger

Cloak & Dagger Music Festival (Denver)
Sound Summit: A Benefit for the Mountain
Mountain Theater - Mill Valley, CA, US
Verboten StageONE presents Detroit ♥'s SUBVERSIONS: Carl Craig pres Modular Pursuits / Audion [live] / Magda / Gaiser [live] + More
Unnamed Venue - Brooklyn, NY, US
Max Graef (Tartelet Records) + Glenn Astro LA DEBUT (Tartelet Records) + CTEPEO 57' (Tartelet Records) + Cooper Saver (Far Away)
The Standard Downtown LA - Los Angeles, CA, US
Simon Scott / Steve Roden / Mark Van Hoen
Magazine A-168 - Vallejo , US
TBA Night w/ Local Talk (Mad Mats & Tooli), Brion Vytlacil & More
TBA Brooklyn - Brooklyn, NY, US
DJ Three, Lisa Frank, Navbox; #BODYFEEL
Flash - Washington, DC, US
The Pop Up Shakedown Returns!
South Bowl - Philadelphia, PA, US
goodie no.45 w Magda, Rob Paine, Francisco Collazo
The Dolphin - Philadelphia, PA, US
Recondite/ Ryan Elliott/ Eric Cloutier + Frank & Tony in The Panther Room
Output - Brooklyn, NY, US
Inception Presents Chus & Ceballos | Anthony Attalla | Adam Auburn | Steve Prior
Exchange LA - Los Angeles, CA, US
Forward Disco | Hector Romero, Sean Cormac, Chili Davis
Cielo - New York, NY, US
fabric 19.9 w/ Seth Troxler, Adam Shelton, Subb-An & Air London
fabric - London, London, United Kingdom
Studio 80 - Amsterdam, Noord-Holland, Netherlands
Berghain/Panorama Bar - Berlin, Germany


PE Barc

Piknic Électronik Bcn #13 (Showcase: Ellum) - Maceo Plex + Danny Daze + Odd Parents + Shall Ocin + Stephen Barnem
Jardins de Joan Brossa - Barcelona, Spain
Piknic Electronik
Parc Jean-Drapeau - Montreal, QC, Canada
Motek & 6AM presents Martin Roth (Anjunadeep) | Metrika (Crosstown Rebels)
Le Jardin - Los Angeles, CA, US
Sundays on The Roof | Vince Watson/ Nicolas Matar/ Nikola Baytala
Output - Brooklyn, NY, US
SUM Night | Dominguez, Simon Heyliger and Justin
Cielo - New York, NY, US


extra dark

Extra Dark with Darren Keen
Kung Fu Necktie - Philadelphia, US


db 2 wide

Decibel Festival 2015
Seattle - various - Seattle, WA, US
no name Presents Inhalants (Patricia + Jahilyyia Fields) (LIVE)/ Entro Senestre (LIVE)/ Alex from Queens/ L. Sangre/ Olive T. on The Roof
The dB2015 Optical Kick-Off Party
Re-Bar - Seattle, US
Nicolas Jaar Decibel Festival 2015
The Showbox - Seattle, WA, US
secondnature Decibel Festival 2015
The Crocodile - Seattle, WA, US
Soulection Decibel Festival 2015
Q Nightclub - Seattle, WA, US
Clinic with Miguel Puente (Akbal) & Guests
Couture - Hollywood, CA, US
Cazzette/ The Avener at Output
Output - Brooklyn, NY, US
Cazzette at Output
Output - Brooklyn, NY, US
Octopus Decibel Festival 2015
Re-Bar - Seattle, US
Studio 80 - Amsterdam, Noord-Holland, Netherlands



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Hear Exclusive New Track from Seth Troxler and Tom Trago http://www.xlr8r.com/news/2015/09/hear-exclusive-new-track-from-seth-troxler-and-tom-trago/ http://www.xlr8r.com/news/2015/09/hear-exclusive-new-track-from-seth-troxler-and-tom-trago/#comments Thu, 17 Sep 2015 18:47:49 +0000 http://www.xlr8r.com/?p=102421 Seth Troxler and Tom Trago have published "De Natte Cel", a new track inspired by and made after the closing of Trouw club in Amsterdam.

"De Natte Cel" is included on Troxler's DJ Kicks which is scheduled for October 16 release on !K7. 

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Premiere: Stream the Answer Code Request Remix of Blue Hour http://www.xlr8r.com/news/2015/09/premiere-stream-the-answer-code-request-remix-of-blue-hour/ http://www.xlr8r.com/news/2015/09/premiere-stream-the-answer-code-request-remix-of-blue-hour/#comments Thu, 17 Sep 2015 17:00:20 +0000 http://www.xlr8r.com/?p=102392 UK-born producer Luke Standing (a.k.a. "Blue Hour") has made a considerable impact since his emergence in 2013. A move from Bristol to Berlin precipitated a run of stellar self-released EPs that immediately won him an ardent following among techno's most revered DJs for a sound that offered a fresh takes on classic techno and electronica, while always maintaining a supreme dancefloor functionality. Among those fans was Function, who included an exclusive track from Standing in his Berghain 07 mix and part I of its accompanying 12-inches.

Now Standing's self-titled outlet launches a new remix series, calling on some of those aforementioned fans to offer their own takes on a trio of the standout tracks from his label's first five releases. Up first for are Blue Hour Remixed [01] are Answer Code Request, Steffi and Marcelus.

Ahead of the EP's October 5 release date, Answer Code Request's remix of "Axis Motive" can be exclusively streamed in full below.


A1  Axis Motive (Answer Code Request Remix)
A2  Reference 97 (Marcelus ‘Swirl’ Mix)
B1  Moments (Steffi Remix)

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Ø [Phase] Set to Release New Alone In Time? LP http://www.xlr8r.com/news/2015/09/o-phase-set-to-release-new-alone-in-time-lp/ http://www.xlr8r.com/news/2015/09/o-phase-set-to-release-new-alone-in-time-lp/#comments Thu, 17 Sep 2015 11:35:59 +0000 http://www.xlr8r.com/?p=102400 UK techno producer Ashley Burchett (a.k.a Ø [Phase]) is set to release a new album via Token records. This will be his second LP for the Belgian imprint, following the release of Frames Of Reference, dating back to 2013.

Token records was initially founded in 2007 by fellow techno DJ Kr!z and has since been the home of artists of the likes of Inigo Kennedy and Ctrls.

The release will be available digitally and as a triple-vinyl pack.

1. Spacialize
2. Orbitron
3. Increment
4. Blind Eye
5. Nep-tune
6. Alone In Time
7. The Maze
8. Remote
9. Mo_del
10. R-Mash
11. Astryx

Alone In Time? will land on Token records October 30, 2015.


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Tale of Us Announce France Tour; Win Guestlist Here http://www.xlr8r.com/news/2015/09/tale-of-us-announce-france-tour-win-guestlist-here/ http://www.xlr8r.com/news/2015/09/tale-of-us-announce-france-tour-win-guestlist-here/#comments Thu, 17 Sep 2015 10:50:25 +0000 http://www.xlr8r.com/?p=102402 Carmine Conte and Matteo Milleri, the Italian DJ-Producer duo better known as Tale of Us, have announced the "Tour De France" with six new dates across France throughout September and October.

XLR8R has a pair of guestlist spots for any date available to give away. To be in with a chance of winning a pair of guestlist tickets, follow us on instagram and enter your email below. Terms and Conditions apply.


September 20 - Electro Alternativ, Toulouse

September 24 - Elektricity, Reims

September 25 - Marsatac, Marseille

September 26 - Ososphère, Strasbourg

September 27 - Rex Club, Paris

October 02 - N.A.M.E Festival, Lille

Instagram  Instagram Click on our badge to follow XLR8R_Official on Instagram.

Terms and Conditions:
  1. The promoter is Tale Of Us and agent, XLR8R.com whose registered office is at 837 Traction Ave #304, Los Angeles, CA 90013, USA.2. Employees of Tale Of US / XLR8R.com or their family members or anyone helping to set up the competition shall not be permitted to enter the competition.
  2. There is no entry fee and no purchase necessary to enter this competition.
  3. Closing date for entry will be Saturday September 19, 2015 at 11:59PM (PST). After this date the no further entries to the competition will be permitted.
  4. No responsibility can be accepted for entries not received for whatever reason.
  5. The rules of the competition and the prize for each winner are as follows:
    • Only 1 entry per email address accepted
    • Must be 21 years of age or older to enter
    • Prize is for 2 guestlist spots at any event taking place on Tale Of Us France tour.
  6. The promoter reserves the right to cancel or amend the competition and these terms and conditions without notice in the event of a catastrophe, war, civil or military disturbance, act of God or any actual or anticipated breach of any applicable law or regulation or any other event outside of the promoter’s control. Any changes to the competition will be notified to entrants as soon as possible by the promoter.
  7. The promoter is not responsible for inaccurate prize details supplied to any entrant by any third party connected with this competition.
  8. No cash alternative to the prizes will be offered. The prizes are not transferable. Prizes are subject to availability and we reserve the right to substitute any prize with another of equivalent value without giving notice.
  9.  Winners will be chosen at random from all valid entries received and verified by Promoter and or its agents.
  10. The winner will be notified by email within 1 day of the closing date. If the winner cannot be contacted or do not claim the prize within 1 day of notification, we reserve the right to withdraw the prize from the winner and pick a replacement winner.
  11. The promoter will notify the winner when and where the prize can be collected.
  12. The promoter’s decision in respect of all matters to do with the competition will be final and no correspondence will be entered into.
  13. By entering this competition, an entrant is indicating his/her agreement to be bound by these terms and conditions.
  14. The competition and these terms and conditions will be governed by English law and any disputes will be subject to the exclusive jurisdiction of the courts of US.
  15.  The winner agrees to the use of his/her name in any publicity material. Any personal data relating to the winner or any other entrants will be used solely in accordance with current US data protection legislation and will not be disclosed to a third party without the entrant’s prior consent.
  16. Entries into the competition will automatically opt-in email for XLR8R.com weekly email newsletter, The Lowdown. User may unsubscribe at anytime.
  17. Entry into the competition will be deemed as acceptance of these terms and conditions.
  18. This promotion is in no way sponsored, endorsed or administered by, or associated with, Facebook, Twitter or any other Social Network. You are providing your information to XLR8R.com and not to any other party. The information provided will be used in conjunction with the following Privacy Policy found at http://www.xlr8r.com/legal.


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ADE Festival Completes 2015 Program http://www.xlr8r.com/news/2015/09/ade-festival-completes-2015-program/ http://www.xlr8r.com/news/2015/09/ade-festival-completes-2015-program/#comments Thu, 17 Sep 2015 02:06:54 +0000 http://www.xlr8r.com/?p=102346 The nighttime program of the Amsterdam Dance Event (ADE) is now finalised. Between October 14-18, more than 2,000 artists will be appearing at over 340 events across the 100 clubs and spaces that are participating with ADE.

During the upcoming anniversary year, Amsterdam will be in the international spotlight with over 400 visiting journalists and media, more than 5,000 professionals and an expected 365,000 festival-goers who flock to the city from around the world.

The 2,000 artists visiting Amsterdam to participate in the ADE Festival include:

Adam Beyer (SE), Agoria (FR), Âme (DE), Andrew Weatherall (GB), Andy C (GB), Apollonia (FR), Armin van Buuren (NL), Axwell Λ Ingrosso (SE), Ben Klock (DE), Ben UFO (GB), Bicep (GB), Bingo Players (NL), Black Coffee (ZA), Bondax (GB), Boris Brejcha (DE), Boys Noize (DE), Carl Cox (GB), Chris Liebing (DE), Dâm-FunK (US), Dannic (NL), Dave Clarke (GB), David Guetta (FR), De Sluwe Vos (NL), Derrick May (US), Detroit Swindle (NL), Dixon (DE), DJ Snake (FR), DJ Tennis (IT), Dubfire (US), Dyro (NL), Eats Everything (GB), Fedde Le Grand (NL), Felix Da Housecat (US), Floorplan (US), Four Tet (GB), GANZ (NL), George FitzGerald (GB), Gerd Janson (DE), Goldfish (ZA), Green Velvet (US), Gui Boratto (BR), Guti (AR), Hardwell (NL), Headhunterz (NL), Heidi (DE), Henrik Schwarz (DE), Hernan Cattaneo (AR), Howling (DE), I-F (NL), Ida Engberg (SE), Interstellar Funk (NL), James Zabiela (GB), Jamie Jones (GB), Jeff Mills (US), Jennifer Car-dini (FR), Job Jobse (NL), John Digweed (GB), John Talabot (ES), Joris Voorn (NL), Joseph Capriati (IT), Josh Wink (US), Joy Orbison (GB), Juan Atkins (US), Karenn (GB), Kerri Chandler (US), KiNK (BG), Knife Party (GB), Kölsch (DK), Kraak & Smaak (NL), Laidback Luke (NL), Levon Vincent (US), Loco Dice (DE), Ma-ceo Plex (US), Machinedrum (US), Magda (Poland), Mano Le Tough (IE), Marcel Dettmann (DE), Mark Knight (GB), Martin Garrix (NL), Max Cooper (GB), Maya Jane Coles (GB), Miss Nine (DE), Monika Kruse (DE), Moodymann (US), Motor City Drum Ensemble (DE), Mount Kimbie (GB), Move D (DE), Nervo (Australia), Nicky Romero (NL), Nicole Moudaber (GB), Nina Kraviz (RU), Noisia (NL), Oliver Heldens (NL), Paco Osuna (ES), Palms Trax (DE), Paul Oakenfold (GB), Ricardo Villalobos (CL), Richie Hawtin (CA), ROD (NL), Roger Sanchez (US), Romare (GB), Rødhåd (DE), Sandrien (NL), Secret Cinema (NL), Seth Troxler (US), Showtek (NL), Sjamsoedin (NL), Solomun (DE), Soul Clap (US), Squarepusher (GB), Stimming (DE), Sunnery James & Ryan Marciano (NL), Surgeon (GB), The Black Madonna (US), The Gaslamp Killer (US), The Martinez Broth-ers (US), Todd Terry (US), Tom Trago (NL), Torus (NL), Weval (NL), Yellow Claw (NL)

For the full program and to purchase tickets, click here.

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MIRA 2015 Launches "He", the Second Teaser of their Image http://www.xlr8r.com/news/2015/09/mira-2015-launches-he-the-second-teaser-of-their-image/ http://www.xlr8r.com/news/2015/09/mira-2015-launches-he-the-second-teaser-of-their-image/#comments Thu, 17 Sep 2015 01:56:55 +0000 http://www.xlr8r.com/?p=102340 This year MIRA Live Visual Arts Festival aims to personify the festival into an humanoid form. "Characters with face and eyes addressed to the public through sensuality," in the words of Barcelona’s design studio Device, responsible of MIRA’s graphic campaign for the third consecutive year.

In July, the festival published "She", the birth of an artificial being who appeared from the seabed and proclaimed, "I've been waiting for you. Are you ready?" Today the festival publishes the second teaser image, entitled "He", another mysterious being born from a monolith.

"He" can be streamed in full below, while more information on this year's event, including ticket availability and an exhaustive list of the visual artists who will perform, can be found here. 


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Premiere: Stream EVM128's Debut Album, Nova, in Full http://www.xlr8r.com/news/2015/09/premiere-stream-evm128s-debut-album-nova-in-full/ http://www.xlr8r.com/news/2015/09/premiere-stream-evm128s-debut-album-nova-in-full/#comments Thu, 17 Sep 2015 00:40:32 +0000 http://www.xlr8r.com/?p=102315 Rising UK producer Luke Meads (a.k.a. EVM128) will drop his brilliant debut album, Nova, on Studio Rockers on September 18.

Spread across 12 tracks, Nova—which is named after Meads' daughter—is gorgeous and engrossing amalgamation of jazz, broken beat, funk, soul, and UK garage, with the now London-based producer's Bristol heritage ever present across the bass-heavy LP. The refined and varied sound across the album is a storied outline of Mead's musical journey so far, featuring collaborators he's met along the way, including Evermean, Olmo Cassiba, Daiva, Shyone, and UK legend Omar. It's a first-class, head-nodding debut that will leave you excited, and impatient, for more from the ascendant producer.

Ahead of its release on September 18, you can stream Nova in full via the player below.

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Mule Musiq Will Release Petre Inspirescu's Third LP http://www.xlr8r.com/news/2015/09/mule-musiq-will-release-petre-inspirescus-third-lp/ http://www.xlr8r.com/news/2015/09/mule-musiq-will-release-petre-inspirescus-third-lp/#comments Wed, 16 Sep 2015 21:23:14 +0000 http://www.xlr8r.com/?p=102312 Following two critically acclaimed studio albums on the [a:rpia:r] label—which he runs with Rhadoo and Raresh—Petre Inspirescu will drop his third LP, Vin Ploile, on Tokyo label Mule Musiq.

Inspirescu debuted on the label last year with Talking Waters, a rolling, groove-based 12", and now returns with an album comprised of mostly live instrumentation, a step away from his usual dancefloor-focused sound. The album explores dub and latin influences, with the Romanian artist "using only piano, string & wind instrument elements and analogue electronics to craft a deep and hypnotic arrangement of tones and rhythms."

Vin Ploile will arrive on December 4, with the full tracklisting below.

01 Delir 1
02 Delir 2
03 Delir 3
04 Delir 4
05 Delir 5
06 Delir 6
07 Delir 7
08 Lumiere
09 Pan'la Glezne

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Watch the New Video for 'Full Circle' (ft. Boxed In) by George FitzGerald http://www.xlr8r.com/news/2015/09/watch-the-new-video-for-full-circle-ft-boxed-in-by-george-fitzgerald/ http://www.xlr8r.com/news/2015/09/watch-the-new-video-for-full-circle-ft-boxed-in-by-george-fitzgerald/#comments Wed, 16 Sep 2015 16:32:57 +0000 http://www.xlr8r.com/?p=102283 This morning, George FitzGerald shared a video for "Full Circle." The lush song, featuring Boxed In's Oli Bayston on vocals, was the first single to be released from his debut album Fading Love, released earlier this year on Double Six/Domino. The album documents the disintegration of a romantic relationship, as well as FitzGerald's dwindling enthusiasm for the one-dimensional dance records that ignore the more complicated realities of his own life.

Regarding the video, director Alan Masferrer says:

“Conceptually, the video is an abstract and personal approach to the stages of life: conception, pregnancy, birth, childhood, youth, adultness, oldness and death. This is for me the full circle. Coincidentally the actress, Anna Hierro, one of the most talented contemporary dancers from Spain, was four months pregnant when we asked her to appear in the video. Definitely that fortunate coincidence gave an additional dimension to the essence of the project.”

You can find out more about George FitzGerald by clicking here, and you can catch him on tour at any of the numerous dates listed below.

Sept 16 || Ibiza || Paradise @ DC-10 ||
Sept 19 || Wetherby Racecourse, UK || Mint Festival ||
Sept 26 || Melbourne, AUS || Listen Out Festival ||
Sept 27 || Perth, AUS || Listen Out Festival ||
Oct 3 || Sydney, AUS || Listen Out Festival ||
Oct 4 || Brisbane, AUS || Listen Out Festival ||
Oct 9 || Bristol, UK || Motion ||
Oct 10 || London, UK || The Hydra: Bugged Out XXI Birthday at Studio Spaces ||
Oct 15 || Amsterdam, Netherlands || Melkweg (ADE) ||
Oct 16 || Manchester, UK || The Warehouse Project ||
Oct 29 || San Francisco, CA || Popscene @ Rickshaw Stop ||
Oct 30 || Denver, CO || Bar Standard ||
Oct 31 || Los Angeles, CA || HARD Day Of The Dead ||
Nov 6 || New York, NY ||
Nov 7 || Philadelphia, PA || The Dolphin ||
Nov 12 || Washington, DC || Flash ||
Nov 13 || Chicago, IL || warehouse TBA
Nov 14 || Miami, FL || Story ||
Nov 20 || Medellin, Colombia || Salon Amador ||
Nov 21 || Bogota, Colombia || SOMA Festival ||
Nov 22 || Mexico City, Mexico || Corona Capital Festival ||

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Werdna Namde "Selles" http://www.xlr8r.com/mp3/2015/09/werdna-namde-selles/ http://www.xlr8r.com/mp3/2015/09/werdna-namde-selles/#comments Wed, 16 Sep 2015 16:00:26 +0000 http://www.xlr8r.com/?p=102337 After saving a young woman's life at a concert in 2012, Werdna Namde (a.k.a. SNKNGL) became deeply affected by the incident, and immediately began seeking out different ways that he could process this experience into something he could use to positively impact the people around him. Werdna creates tracks that directly express his attitude towards the human condition, and his desire to enjoy every bit of his new found passion for life. With an ever changing arsenal of mysterious aliases under his belt, Namde now offers up a download of his new track "Selles." Futuristic and raw in sound, the arrangement chugs towards a slow burn that is reminiscent of a pitched down Chicago house record, inside of ambulance on its way to extinguish a five-alarm warehouse fire. The track also includes original cover artwork by Nicholas Treadway.



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Dark Entries Teases Severed Heads Reissues http://www.xlr8r.com/news/2015/09/dark-entries-teases-severed-heads-reissues/ http://www.xlr8r.com/news/2015/09/dark-entries-teases-severed-heads-reissues/#comments Wed, 16 Sep 2015 15:24:55 +0000 http://www.xlr8r.com/?p=102277 Dark Entries, the West Coast label largely dedicated to obscure and industrial synth-pop, has detailed a run of forthcoming reissues from Australian post-punk pioneers Severed Heads. Clifford Darling, Please Don’t Live in the Past was originally released in 1985 via Ink and combines “live recordings, raw demos, unreleased studio recordings, and solo pieces” from the band’s first five years together. Arriving at the same time—on October 8—is the Petrol EP, which offers multiple versions of the '86 single.

Severed Heads kick off a tour in San Francisco on September 18. To revisit XLR8R’s 2014 profile of Dark Entries, head here, and stream clips of both forthcoming records below.

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Premiere: Stream the Landside Part II EP in Full http://www.xlr8r.com/news/2015/09/premiere-stream-the-landside-part-ii-ep-in-full/ http://www.xlr8r.com/news/2015/09/premiere-stream-the-landside-part-ii-ep-in-full/#comments Wed, 16 Sep 2015 13:36:35 +0000 http://www.xlr8r.com/?p=102042 Following the release of the beautiful Part 1 EP, Landside, the electronic music project consisting of Italian producers Hunter/Game and the Icelandic band Kúra, is set to release the Part II EP this week.

In advance it's release via Hunter/Game's Just This imprint on September 18, the Part II EP can be exclusively streamed in full below.


A1 - Wasteland
A2 - Lost Soul
B1 - Wasteland (Extrawelt Remix)
B2 - Lost Soul (Avatism Remix)

Digital Bonustrack:
Wasteland (Extrawelt Fidgety River Remix)

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Exclusive Q&A: Infrastructure New York Set to Re-release Legendary Trackman Double-EP from 1995 http://www.xlr8r.com/news/2015/09/exclusive-qa-infrastructure-new-york-set-to-re-release-trackman-double-ep-from-1995/ http://www.xlr8r.com/news/2015/09/exclusive-qa-infrastructure-new-york-set-to-re-release-trackman-double-ep-from-1995/#comments Wed, 16 Sep 2015 10:43:33 +0000 http://www.xlr8r.com/?p=102259
Function's Infrastructure New York imprint is set to release a reissue of Mark Archer's first release as Trackman.

The first Trackman EP went out on Ideal Trax in 1995, a six-track, two-vinyl EP spanning trippy, classic acid cuts, Detroit and Chicago influences, Sheffield Bleep and Manchester Hacienda rave era overtones—many of which still get played out regularly by top-tier selectors today.

The EP has now been lovingly remastered and re-issued on Function's Infrastructure label, with a bonus track Paradise included, which featured later on the 1996 "Don’t Stop" EP—also a classic in it’s own right.

Ahead of the EP's September 18 release, XLR8R spoke exclusively with Mark Archer and Function to learn more about the release, with snippets available to stream below.



Back in 1995 when these tracks were originally released, what was the energy? What was your inspiration for these tracks?

Mark Archer:

In 1995 I'd kind of lost touch with the techno scene having gone headlong into the whole UK hardcore thing with Altern 8 and then had been working more of a US house sound with the Slo Moshun project and Dansa records alongside Danny Taurus—so when Neil Macey asked me to record some tracks for the first release on the label I wasn't totally sure what he wanted. I asked for a description of the style that he wanted rather than hearing anything and being influenced that way—he said it was sort of techno with housey drums and jacking acid house so that's just what I did.


How do you think the significance of these tracks, and their impact is able to adapt to techno in 2015?

Mark Archer:

Techno has and always will (hopefully) be timeless—a music of the future. A lot of it doesn't date unless it's made for the now. On the odd occasion I've been to techno events I've always heard old tracks dropped in the middle of sets to great effect and hopefully the reissue of the Trackman double-pack will be received in the same way by people who know it and possibly seen as something new by people who have never heard it before.

I was actually recently asked if I was an up and coming breaks/fidget DJ after playing a set of old hardcore classics by someone who was too young to have been born when the tracks were made.

Trackman aka Mark Archer Press Pic


What sparked your decision to re-release Trackman's double-EP from 1995? What significance does this record have to you and your musical career?


I met Mark for the first time at a gig in Edinburgh in 2011 and we quickly connected. We were at the hotel before the show talking about his early days as Nexus 21 and Altern 8 with Chris Peat and his later solo work as Trackman.

IMG_6279Nexus 21 tracks like Self-Hypnosis and Real Love; and Altern 8 tracks like Move My Body, Frequency, Armageddon and Infiltrate 202 had a huge impact on me growing up, circa '90-'92. They were a real sign of the times. Then a few years later Surgeon turned me on to the Trackman double pack—both on Ideal Trax—and said it was one of the guys from Altern 8. I was totally blown away by the record because it was more straight, acid-house, techno and bass and bleep oriented, which I think has helped the record remain timeless. But you can still hear Nexus 21 and Altern 8 in there.

Anyway, as we got into talking, I asked about the Trackman double-pack, he mentioned that he still had all of the original tapes and got the rights back. I asked if he would be up for reissuing it and said he was up for it. It took a while to get it out but we're finally here and think it's the perfect time. The record sounds as fresh as ever and I love how we've added Paradise to the release. More than anything though, Mark's such a lovely guy and I'm such a huge fan—we're honored to be giving the record a second release.

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Fold Preps EP for AUS Music http://www.xlr8r.com/news/2015/09/fold-preps-ep-for-aus-music/ http://www.xlr8r.com/news/2015/09/fold-preps-ep-for-aus-music/#comments Wed, 16 Sep 2015 10:06:10 +0000 http://www.xlr8r.com/?p=102248 Following on from Timothy Blake's The Stormy Search EP, AUS Music will release Fold's Netflix & Chill EP on October 16.

Joining recent new signees such as Timothy Blake, Geeman and Escape, Fold follows releases on Man Make Music and Electric Minds with his debut on Will Saul's revered label. Spread across three hip-hop influenced tracks, and a remix by shadowy Workshop mainstay Kassem Mosse, Netflix & Chill is a gritty and refreshing take on house. As usual, Mosse applies his foggy magic to the aptly title "Dreamscape," rounding out another brilliant notch in the AUS Music belt.


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Q&A: Mr. G http://www.xlr8r.com/features/2015/09/qa-mr-g/ http://www.xlr8r.com/features/2015/09/qa-mr-g/#comments Wed, 16 Sep 2015 09:00:46 +0000 http://www.xlr8r.com/?p=102183 mr g a night on the townLongevity, consistency, and quality don't always go hand-in-hand—but for the U.K.'s Colin McBean, that seemingly comes effortlessly. His career dates back to the early '90s; among other claims to fame, he was the partner of Cisco Ferreira in the British techno outfit the Advent. Working solo for the past decade and a half, mostly under the Mr. G moniker, his signature style—cultivated over 60 releases—has generally been categorized as tech-house. But his new album, Night on the Town? (just released on his own Phoenix G label, also available on DVD with an accompanying video), has a much deeper, left-of center sound. His extensive knowledge of American, British, and Jamaican music is combined with a quick-talking and tangential personality, one that's wholly apparent on his new record.

The city of London is one of the central themes on the album. Can you talk about your relationship to the city?
The album the sound of my perfect night out, that grainy mechanicalness of London. Some of the tracks are hypnotic, some passive, some active, some deep and twisted. It’s all those things happen in nightclubs in and around London. And it’s also an amalgamation of all my influences, whether it’s house, or soul, or techno, or whatever I’m listening to. It’s that musical backbone combined with my love of the city.

Growing up as a small-town Derby boy, I could come down to London for the art, the clothes, sneakers, records…you name it. I’ve seen it all. I walk the same route as I did when I was a kid, I look at the same things. I see buildings and popular art places come and go, new art and new photography spring up. By now I know most of the people in Soho in someway or another, and I love all that. But as I was getting older, I wanted some calm. The madness of the ambulance going by at three in the morning—I don’t want that anymore. I don’t want to hear people coming in from the pub making noise. And that’s a choice a choice you have to make, and I think that’s a choice you make when you get older. I love music, I love sound, I love people, but I also love quiet. Hence my decision to move to the country.

But I still have the ability to get on the train, get off and switch into London mode, running around, talking. And then you get back on your train, and you get your quiet.

mr g 3Can you talk about Derby, the town where you grew up? What were your musical influences in those early years?
I grew up in a really old-fashioned Midlands town, but it had a strong cultural background—a really robust Jamaican community. So you had parties in church halls, or you'd have the local DJ playing in the community center, so there were always great DJs long before me. We had knowledge of the music, because we were given that knowledge as kids from the elders. So what we used to do is save our money for a month, get on the train and head to London to buy records.

But then you come back to Derby, and you’re DJing in the clubs, and at some point you’re like, this isn’t enough for me. Because you can’t play your amazing rare disco gem to your local people. They’re not ready for that. So when you come through, or chose to come through, you’ve got all the knowledge you’ve been given—but then you realize, oh shit, I’m in Derby. How am I gonna get access to the great music, the great second-hand shops and great charity shops that have all these rare records waiting for me? So eventually I decided to leave, got a job in London, and I spent my days scouring every second-hand record shop.

Can you talk about that Jamaican cultural influence you got from Derby?
My mom and dad are from Jamaica, and I speak patois. I’ve been going to the island since I was about eight. When I go to where my parents are from, every Thursday, Friday, Saturday, Sunday there’s a sound system. So it’s a trip filled with sound. The cars have sound systems, and you can hear them coming from seven of eight miles away. And you can hear that bass rolling, and then rattling the house. So that’s me stocking up on basslines and juice and energy for my next music.

"What I’ve come out of is that U.K. reggae bass that’s always been distinct to the U.K. That bad-boy bassline, I’m in all day."

Whether it’s Burning Spear, Bob Marley, Studio One, or King Tubby, that bass and analog is in our heritage, and that’s what Jamaica is so important for. What I’ve come out of is that U.K. reggae base that’s always been distinct to the U.K. That bad-boy bassline, I’m in all day. Whether it’s drum & bass, dubstep, garage, that dub is a part of our heritage. And Americans can’t do that bass the way we can. It’s not a part of their heritage. And in the same way, we in the U.K. and Europe don’t have the ability to have that level of emotion—that deep, black emotion that is special to America. Guys like Fred P, Theo Parrish, Moodymann, Masters at Work, Frankie Feliciano, Lil Louis, Joey Anderson…we can’t get that level of emotion on our side. Because our forefathers and backgrounds are different.

So there’s always something to be gleamed in Jamaica, whether you find a new album, a rare record you never heard, or you hear something on the TV, or a car goes passing with the radio. But it really is a tough trip—it’s not a trip for the faint of heart. Jamaica is a tough tonic. So as much as I love going, I’m always slightly nervous. You have to respect what you are, and who you are.

Those Americans that you mentioned, their styles were influenced in some degree by new wave, which was emerging around Derby and the Midlands when you were growing up there. What was your encounterwith those sounds like?
To be fair, I only picked up on that later on in life. Because at the time that all came out, I was a box boy for a sound system, so my life became speaker boxes and late night parties, packing it away and hopefully getting some rum and hearing some great music. There are parts of life that I completely missed because I was wrapped up in the world I was in. But I do remember a club in Derby we used to play called the Blue Note, and we had all of those weird and wonderful groups on Tuesday or Wednesday nights playing, and I would hear them. There are lots of crazy names I remember, but I never thought of it as a specific movement, because the clubs I DJed at played really eclectic mixes of music. That went from left to right without stopping in the middle. So when you talk about new wave, or you talk about punk, or you talk about indie…for me it was also a part of where I was working, where I was DJing, the clubs I played at. Certainly the Blue Note was one of the landmarks in the Midlands for bringing out the unknown left-of-center talent. But it was never about a certain style. It never has been.


Over the course of your career, you’ve released over 60 EPs and singles, but not too many full length LPs. Can you talk about that consistent output, and why you decided this should be a full length album?
I’m a '70s child all day long. When you do an album project, it should be something that you made pretty much around the same time; you only work on that project for a long time. So normally the 12s and the EPs are tracks that might be from last year, the year before, this year, yesterday. But when something is done over a limited period of time, I think, well that’s an album—because that’s a picture, a snapshot of where you were just then.
Some kids are like, man, how do you put out so many records? I don’t see it like that. I say, I’m a music guy, I live to make music, and hear music. If I make it in five hours or I make it in five weeks, I just keep making music. I might write ten or so tracks over a period of time, but then I have to sit down, and sit with my system and listen back to them and pick out which ones I like. So you end up with this bank of music, and you think, well, it’s no good sitting around waiting. Someone might like that, someone might not like that, so just put it out. What sticks, sticks.

So if you’re an artist, and it’s in you, you don’t just release one here, and release one there. You don’t go like that. I might not have anything to say next year. So I get them out. Let people hear where you’re at. If people like it, if they dislike it—get it out there. I’m a firm believer in that. it’s not a competition thing—it’s just, for me, a way of life.

There’s an introspective quality to the new record. Is that something you intended, or is it something that comes with getting older?
I think that’s the environment. Living out in the country, near water, in a quieter old house. Your vibe becomes introspective. I’ll think about the room where I have my studio, and wonder what happened in that room as years went by. You wonder what goes on. All those thoughts, the greenery around you, walking the dog every day…I didn’t have that in London. It feels slightly freer, you just have the room to stop, go outside, get some fresh air, walk the dog, get some nature, talk to someone, say good morning, good afternoon, good-day. It brings out something different in you.

Your last full-length album came as a result of your father passing. Was there a similar catalyst or this record?
With my father’s album, Personal Momentz, I didn’t know what was in me. And then to hear what comes out, and the message you’ve got inside you, is sometimes surprising. All the experience, all the pain, all the newness went into that album. It felt fitting that the experiences of death, and all the pain, and moving outside of London for a change, culminated in something so positive. It means you’ve made the right choice.

And it’s the same thing with the new one—it’s like wow, that’s what’s in there? Shit. This record is a very different side of me, and I’m quite shocked to see that myself. Obviously you know your work, you do what you do, you know your trademarks, and you know the sound of yourself. Sometimes you have to surprise.

"All those years of working for labels and doing remixes for people you didn’t want to do, or maybe shouldn’t have done—all that makes you very clear at one point when you get older. You’re like, right—this is who I am. This is what I want to be. This is how I want to do it"

Was it therapeutic to come out with a record that didn’t have that weight to it?
Yeah, of course—it was therapeutic, because it’s the knowledge that you’re free. This album was just me trying to do something different. And that’s always been my ethos: I’ve tried to do the best I can with the palette that I’ve got. But there’s a massive freedom, because I feel relaxed and I feel confident about what I’ve done—learning more about my art, I understand now there’s something different going on. And this album…I showed it to a few nearest and dearest, and they were like, “Damn, this is left-of-center, Colin, but I loved it. I could hear you in there, but it’s a different you.” So that makes me feel great. It’s all those years of working for labels and doing remixes for people you didn’t want to do, or maybe shouldn’t have done—all that makes you very clear at one point when you get older. You’re like, right—this is who I am. This is what I want to be. This is how I want to do it.” And also, once you see the video aspect, you’ll understand the extra dimension to it.

Can you talk about the video aspect to it?
There was a real visual component to all the tracks, and so it felt fitting to do some sort of visual accompaniment. I started reaching out to friends, and found out that one of my friends has a sister who is a filmmaker. And we went back and forth on it and I sweet-talked her into it, but it turned out fantastic.

For me to do the video aspect, it’s a massive step. I like to be the guy who goes to the club and does what he does. I want to be there listening to a DJ, or be at home making music. That’s it. I don’t really do the interactive side. It’s stressful for me because it’s not music—it’s not what I’ve been doing all this time. If it were about me performing or me DJing, I’d be like yeah, whatever, I’m good with that. With this whole visual thing, it’s out of my control. So it’ll be fascinating for me to release it, let people see it, and find out what others think. It takes it to a level I’ve never been to before, and that means I’m moving forward. It means I am building, I am trying. It’s so easy in this world to say, “Yeah, I’m doing okay” and be fine with where you’ve been. It’s not about that. For me, it’s about always trying to be a leader, rather than a follower. Give the kids something to look to.

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Cherushii "Everything Is In Color" http://www.xlr8r.com/mp3/2015/09/cherushii-everything-is-in-color/ http://www.xlr8r.com/mp3/2015/09/cherushii-everything-is-in-color/#comments Wed, 16 Sep 2015 02:29:01 +0000 http://www.xlr8r.com/?p=102249 Cherushii (a.k.a. Chelsea Faith) is an musician, producer, and live performer based out of San Francisco. Cherushii has been working as a live PA and producer for 10 years, using her gear savvy and innate musicianship to create lush, retro-futurist productions. Her passion for music is evident in her music, which take cues from Detroit techno, Chicago house, and classic rave sounds. Just this past August, Cherushii released her album Memory Of Water on Los Angeles label, 100% Silk. The album was originally released on cassette format, and limited to only 100 physical copies that didn't last very long. The album is now available digitally, and Cherushii has offered up a download of the ambient house track, "Everything Is In Color." The arrangement begins with quick-moving chords that are splattered upon a milky-way foundation. The rhythm keeps you hypnotized for almost two and a half minutes before the deep tempo of the bassline rides a space comet into a muffled snare, before completing its transformation into a deep house chugger that feels complete and satisfying on the dancefloor, as well as the headphones.

Everything Is In Color

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Ticket Giveaway: Win a Full Event Pass to Decibel 2015 http://www.xlr8r.com/news/2015/09/ticket-giveaway-win-a-full-event-pass-to-decibel-2015/ http://www.xlr8r.com/news/2015/09/ticket-giveaway-win-a-full-event-pass-to-decibel-2015/#comments Wed, 16 Sep 2015 00:39:35 +0000 http://www.xlr8r.com/?p=102208 For over a decade now, Decibel Festival has turned Seattle into an electronic music hotspot for one-week out of the year, showcasing some of the most reputable names in the scene at various locations around the city. Acts being featured this year include Marcel Dettmann, Bonobo, Daniel Avery, Dauwd, Nicolas Jaar, John Tejada, DJ Tennis, Lusine, and The Black Madonna, just to name a few. 

Decibel is also known for its meticulously curated showcases, with this year's showcases including Nicolas Jaar, Stimmhalt, IG 88 at Showbox, Studio 4/4: Decibel Edition: Julio Bashmore, andhim, Masha at Q Nightclub, and a Kompakt showcase featuring Agoria, John Tejada, and Dauwd at Neumos.

This year XLR8R will host a panel on Friday, September 25 at 5:30pm in association with dB Conference and CreativeLive, with a secret performance by a Decibel 2015 artist directly afterwards. XLR8R will also be hosting an Official dB after-hours party in association with Decibel Festival at Q Nightclub, featuring performances by Marcel Dettmann, Function (live), and VRIL (live). To celebrate this fact, we are giving away two full event passes to this years Decibel Festival! For your chance to win one full event pass, give us a follow on Instagram and then enter your email below. XLR8R will choose two winners that will be contacted this weekend via the email provided. Terms and Conditions apply.

The festival takes place in Seattle between September 23 - 27, with pre-sale tickets and more information available here.

Instagram      Click on our badge to follow XLR8R_Official on Instagram.

Terms and Conditions:
  1. The promoter is, Decibel and agent, XLR8R.com whose registered office is at 837 Traction Ave #304, Los Angeles, CA 90013, USA.2. Employees of Decibel / XLR8R.com or their family members or anyone helping to set up the competition shall not be permitted to enter the competition.
  2. There is no entry fee and no purchase necessary to enter this competition.
  3. Closing date for entry will be Sunday September 20, 2015 at 11:59PM (PST). After this date the no further entries to the competition will be permitted.
  4. No responsibility can be accepted for entries not received for whatever reason.
  5. The rules of the competition and the prize for each winner are as follows:
    • Only 1 entry per email address accepted
    • Must be 21 years of age or older to enter
    • Prize is for 1 wristband to Decibel 2015 event taking place in Seattle, WA.
  6. The promoter reserves the right to cancel or amend the competition and these terms and conditions without notice in the event of a catastrophe, war, civil or military disturbance, act of God or any actual or anticipated breach of any applicable law or regulation or any other event outside of the promoter’s control. Any changes to the competition will be notified to entrants as soon as possible by the promoter.
  7. The promoter is not responsible for inaccurate prize details supplied to any entrant by any third party connected with this competition.
  8. No cash alternative to the prizes will be offered. The prizes are not transferable. Prizes are subject to availability and we reserve the right to substitute any prize with another of equivalent value without giving notice.
  9.  Winners will be chosen at random from all valid entries received and verified by Promoter and or its agents.
  10. The winner will be notified by email within 1 day of the closing date. If the winner cannot be contacted or do not claim the prize within 1 day of notification, we reserve the right to withdraw the prize from the winner and pick a replacement winner.
  11. The promoter will notify the winner when and where the prize can be collected.
  12. The promoter’s decision in respect of all matters to do with the competition will be final and no correspondence will be entered into.
  13. By entering this competition, an entrant is indicating his/her agreement to be bound by these terms and conditions.
  14. The competition and these terms and conditions will be governed by English law and any disputes will be subject to the exclusive jurisdiction of the courts of US.
  15.  The winner agrees to the use of his/her name in any publicity material. Any personal data relating to the winner or any other entrants will be used solely in accordance with current US data protection legislation and will not be disclosed to a third party without the entrant’s prior consent.
  16. Entries into the competition will automatically opt-in email for XLR8R.com weekly email newsletter, The Lowdown. User may unsubscribe at anytime.
  17. Entry into the competition will be deemed as acceptance of these terms and conditions.
  18. This promotion is in no way sponsored, endorsed or administered by, or associated with, Facebook, Twitter or any other Social Network. You are providing your information to XLR8R.com and not to any other party. The information provided will be used in conjunction with the following Privacy Policy found at http://www.xlr8r.com/legal.


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Trevor Jackson Reveals Audio/Visual Mix ‘Science Fiction Dancehall Classics’ http://www.xlr8r.com/news/2015/09/trevor-jackson-reveals-audiovisual-mix-science-fiction-dancehall-classics/ http://www.xlr8r.com/news/2015/09/trevor-jackson-reveals-audiovisual-mix-science-fiction-dancehall-classics/#comments Tue, 15 Sep 2015 22:31:04 +0000 http://www.xlr8r.com/?p=102209 With over twenty years of experience under his belt, Trevor Jackson is revered as one of electronic music’s most accomplished and well rounded audio/visuals artists. Some of these accomplishments include the forming of Output Recordings in 1996—which released music from the likes of Four Tet and LCD Soundsystem—as well as receiving numerous awards for his visual campaigns and having his work premiered in museums such as the Guggenheim and the ICA.

Teaming up with Adrian Sheerwood’s label On-U Sound, Trevor Jackson is now set to release the compilation album Science Fiction Dancehall Classics, a 3 x vinyl and 2 x CD release that charts an “alternate history of the label." The mix features a plethora of B-sides and unreleased tracks, with a heavy post-punk, reggae and dub influences. This bizarre and alluring mix is further complimented by the visual aesthetic that accompanies it. The 14-minute black-and-white video mix, produced by Trevor Jackson, uses found footage that has been animated and warped to fit the rare and extraordinary sound of the compilation.

Be sure to check out the video mix of Science Fiction Dancehall Classics below and order your copy of the compilation by going here.

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Hear Philipp Gorbachev's Latest Single, "The Weeping Tune" http://www.xlr8r.com/news/2015/09/hear-philipp-gorbachevs-latest-single-the-weeping-tune/ http://www.xlr8r.com/news/2015/09/hear-philipp-gorbachevs-latest-single-the-weeping-tune/#comments Tue, 15 Sep 2015 22:15:33 +0000 http://www.xlr8r.com/?p=102193 An aspiring diplomat and the son of a Soviet-era Racing Car champion, Philipp Gorbachev is not your average techno producer. Hailing from Russia, Gorbachev splits his time between being a key figure in Moscow’s blossoming club culture and drumming in the studio of the cult avant-garde group Zvuki Mu. Most recently, Gorbachev his single “The Weeping Tune” via his imprint, PG Tune. In a video interview, he explains his reasoning behind the name of the track:

“Before being able to play shows, I was weeping a lot. That’s how I know… that nothing works without love. Weeping is not a dark and tragic state, it's a revelation and sign of upcoming joy. That’s what "The Weeping Tune" is all about.”

You can stream the track below and be sure to check out more from Philipp Gorbachev by going here.

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Premiere: Hear a Track from Lixo's Debut EP http://www.xlr8r.com/news/2015/09/premiere-hear-a-track-from-lixos-debut-ep/ http://www.xlr8r.com/news/2015/09/premiere-hear-a-track-from-lixos-debut-ep/#comments Tue, 15 Sep 2015 21:40:14 +0000 http://www.xlr8r.com/?p=102192 GETME! label head, Alex Hislop (a.k.a. Lixo), will release his debut EP, Gloomer, on September 18.

Although it's a young label, GETME! has already garnered a reputation for its quality output, releasing top-level cuts from
Slime, Becoming Real and Dam Mantle. LIXO's debut follows suit and find the NTS radio host dropping two moody and intimate tracks. EP cut "Not The Answer" is streaming below and is an emotive slice of bass-heavy house, with deep, melodic synth work, soaring pads, and detuned vocal chops, all melding together to create certain dancefloor euphoria.

Ahead of the official release, "Not The Answer" is streaming in full via the player below.

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Podcast 404: Helena Hauff - roBOt Festival 2015 Edition http://www.xlr8r.com/podcasts/2015/09/podcast-404-helena-hauff/ http://www.xlr8r.com/podcasts/2015/09/podcast-404-helena-hauff/#comments Tue, 15 Sep 2015 16:04:14 +0000 http://www.xlr8r.com/?p=102047 Helena Hauff doesn’t really fit the mold of the modern-day electronic musician. She continues to reside in Hamburg and actively avoids the limelight; she doesn’t self-promote or even attempt to communicate with her ever-expanding fan-base; you can’t even find her on Facebook, never mind Twitter. Outside of a limited number of interviews—where, seemingly reluctantly, she elaborates on her analog-heavy production techniques and penchant for dark and twisted industrial acid techno—her only vehicle of public expression is through her music. In her own words, “I just do the stuff that I wanna do and I don't do the stuff that I don't wanna do.” It’s really that simple.

But for Hauff, this would seem to be enough. The release of her highly anticipated and widely acclaimed debut LP on Werkdiscs/Ninja Tune, Discreet Desires, along with a busy summer touring schedule that included a stunning performance at Dekmantel Festival—one of the best sets of the summer, in our books—has seen the Golden Pudel resident’s reputation rise considerably. Ahead of her performance at Robot Festival early next month, XLR8R contacted Hauff to see if she’d be interested in showcasing her talents with a podcast.

Fortunately for all of us, this is one of the things she did want to do.

How and where was the mix recorded?
At home! All records..…

How long did you think about the mix before you actually started recording?
About a day.

Describe how you selected the tracks you wanted to include? Did you make a fairly concise list before you actually began mixing?
I knew how I wanted the tracks to come together before I started mixing. Sometimes a mix comes together in my head really quickly other times it can take quite a while to gel—this one was easy!

While many artists embrace the celebrity that success in music can offer, you seem reluctant to do so. Why?
I don't know. I haven't really got an attitude towards celebrity, I just do the stuff that I wanna do and I don't do the stuff that I don't wanna do. Plus, it does seem to be a bit of a pain only playing big shitty events. I much prefer small clubs to big festivals.

What else have you got coming up this year?
More gigs and then start playing around with my new synthesizers, can't wait. And a couple more releases on my label!

01 Unit Black Flight "One Hour Before Dawn" (Giallo Disco)
02 Xymox "A Day" (Sneaker Dunkeltier Remix) (Macadam Mambo)
03 Powell "Club Music" (Ancient Methods' Körpersäure '91 Remix) (Diagonal)
04 Broken English Club "Ritual Killing" (Cititrax)
05 Drvg Cvltvre "Crack Spirit Guide" (Pinkman)
06 Philipp Gorbachev ‎"In The Delta" (Cómeme)
07 June "S.A.D.H" (June)
08 Gladio "Gladius Gladius" (Mighty Robot Recordings)
09 Broken Arrows ‎"So Few Truths" (Giallo Disco)
10 The Present Moment "Times Like This" (Something Cold)
11 Amnesia "Boys From London"  (BCM Records)
12 Pankow "Wet" (Contempo Records)
13 Morah "Up In Flames" (Return To Disorder)
14 Lassigue Bendthaus "Lanternslide" (Metropolis Records)

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Daniel Avery and Volte-Face Set to Release New EP Under Rote Moniker http://www.xlr8r.com/news/2015/09/daniel-avery-and-volte-face-set-to-release-new-ep-under-rote-moniker/ http://www.xlr8r.com/news/2015/09/daniel-avery-and-volte-face-set-to-release-new-ep-under-rote-moniker/#comments Tue, 15 Sep 2015 12:21:39 +0000 http://www.xlr8r.com/?p=102156 British producers Daniel Avery and Volte-Face have announced the release of a new collaborative EP, simply titled: EP 1. The new release is due out next month under the Rote alias via Volte-Face's self-ran imprint BleeD. It will feature two remixes by Semantica Records' founding father, Svreca, and Japanese DJ Nobu.

A1 Rote 1
A2 Rote 1 (DJ Nobu Remix)
B1 Rote 2
B3 Rote 2 (Svreca Remix)

EP 1 will be released via BleeD on October 9.

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Premiere: Stream the New BKR Projekt EP in Full http://www.xlr8r.com/news/2015/09/premiere-stream-the-new-bkr-projekt-ep-in-full/ http://www.xlr8r.com/news/2015/09/premiere-stream-the-new-bkr-projekt-ep-in-full/#comments Tue, 15 Sep 2015 08:47:48 +0000 http://www.xlr8r.com/?p=101454 Fresh of the back of releasing the The Ebony EP, Simon Baker Presents BKR Projekt returns with The Saffron EP, another release that adheres to his more stripped-back techno sound that he discussed in an interview with XLR8R just last month.


01 Saffron
02 Ginger
03 Fuzzy
04 Fuzzy Dub (Digital Only)

Ahead of the EP's October 5 release, The Saffron EP can be exclusively streamed in full below.

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Marcel Vogel Celebrates 5 Years of Lumberjacks In Hell With New Compilation LP and Tour http://www.xlr8r.com/news/2015/09/marcel-vogel-celebrates-5-years-of-lumberjacks-in-hell-with-new-compilation-lp-and-tour/ http://www.xlr8r.com/news/2015/09/marcel-vogel-celebrates-5-years-of-lumberjacks-in-hell-with-new-compilation-lp-and-tour/#comments Tue, 15 Sep 2015 08:00:24 +0000 http://www.xlr8r.com/?p=102015 Over two decades ago, Marcel Vogel became musically inspired by one of the four elements of hip-hop while watching turntable DJs scratching rap records. Later on, Marcel began buying drum and bass on vinyl and was heavily influenced by listening to Derrick Carter as he mixed The Many Shades of CajualFast forward to today, where Vogel now celebrates 20 years of DJing while also constantly pushing out new talent from the helm of his two labels, Intimate Friends and Lumberjacks in Hell. Now the German-born, Amsterdam resident will celebrate five years of his Lumberjacks in Hell label with a new 2 x 12" compilation LP titled From Hell with Love, coming out on October 5, as well as a supporting European tour.

The record will feature eight tracks from producers like Mahogani Music's Dan Shake, Borrowed Identity, and Marcel Vogel himself. The record is touted as the ultimate package, and selections from it have recently been heard in sets by Patrick Luca, Jacques Renault, and Tooli. You can stream snippets of all the songs from the record right now on XLR8R, and you can catch Marcel Vogel on the From Hell With Love tour in Amsterdam during ADE.


A1. Giovanni Damico - "The Break Down"
A2. Marcel Vogel - "Come On"
B1. Borrowed Identity - "Queens Bridge"
B2. Boogie Nite - "Funk Dr Boogie"
C1. Tim Jules - "Slap beat"
C2. Hoshiana Anniversary - "Duke"
D1. Dan Shake - "To The Love"
D2. FYI Chris - "Banana Bread"

Tour Dates:

3 October | Storm Club. Juicy Boogie invites LIH. Lineup: Marcel Vogel, Schwa, Mr. Ultrafino, Biodan & Tazz
16 October Chalet: From Hell With Love / OYE Records. Lineup: Marcel Vogel, Mr Mendel
17 October Golem: From Hell With Love. Marcel Vogel, Mr Mendel.
30 October DJOON: From Hell With Love. Lineup: TBA
7 November Studio 80: Cheetah - 5 years Lumberjacks in Hell. Maurice Fulton, Rahaan, Marcel Vogel, Mr Mendel and Dikkens


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Stream Konrad Black's Latest EP in Full http://www.xlr8r.com/news/2015/09/stream-konrad-blacks-latest-ep-in-full/ http://www.xlr8r.com/news/2015/09/stream-konrad-blacks-latest-ep-in-full/#comments Tue, 15 Sep 2015 02:38:40 +0000 http://www.xlr8r.com/?p=102137 At the end of last month, Canadian artist Konrad Black released The Scorched Earth EP, his first solo release in 10 years, via Meander.

The EP is influenced by "our vast universe, deep space, spirit and consciousness," and "the recent earth-bound meteorites and the blinding light that follows," and is Black's debut on Meander, the label run by DeWalta. Featuring three highly textural and atmospheric cuts, The Scorched Earth is very welcome return from the Wagon Repair co-founder.

Following The Scorched Earth, Black has an upcoming audio visual album project with Jeremy Shaw called There In Spirit, as well as remixes of Lopazz' "HiTime" and Mathew Jonson's "Decompression," all scheduled for release in 2016.

The Scorched Earth is available now on heavyweight 180 gram vinyl over at Juno, with the digital set to arrive on September 17. All three tracks are streaming in full via the player below.

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krakaur "Rinse (DAVEM Remix)" http://www.xlr8r.com/mp3/2015/09/krakaur-rinse-davem-remix/ http://www.xlr8r.com/mp3/2015/09/krakaur-rinse-davem-remix/#comments Mon, 14 Sep 2015 23:15:48 +0000 http://www.xlr8r.com/?p=102122 We last heard from Italian painter and electronic music producer DAVEM when he gifted us his track "Some Day in The Dark Side," a cut from his album My Grand Rose Is An Angel, which landed at number 10 in XLR8R's top 10 downloads of May. Now, the experimental artist returns, this time reworking New York producer krakaur's "Rinse" into a slow-burning, atmospheric slice of detailed sonics. The remix is part of a krakaur's Bleak EP, an 11-track collection full of ambient soundscapes and beautiful organic textures. The EP also features remixes from JAKOBY, Suplington, Kallie Lampel, and the one in question here from DAVEM. Bleak is out now on NYC/LA-based label Youngbloods, with DAVEM's remix of "Rinse" available as a free download below.

Rinse (DAVEM Remix)

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Watch a Video from Guilty Simpson's New Album, Detroit's Son http://www.xlr8r.com/news/2015/09/watch-a-video-from-guilty-simpsons-new-album-detroits-son/ http://www.xlr8r.com/news/2015/09/watch-a-video-from-guilty-simpsons-new-album-detroits-son/#comments Mon, 14 Sep 2015 21:18:14 +0000 http://www.xlr8r.com/?p=102104

Guilty Simpson will forever be known as one of the best rappers to ever come out of Detroit, and less than an hour ago he dropped a new video for his track "The D," from his latest album, Detroit's Son, on Stones Throw Records. The video follows Simpson through the streets of Detroit as he paints the picture of what the city means to him, showcasing famous landmarks such as the Motown Museum and the Michigan Central Station.

For more info on Guilty's latest album, head on over to the Stones Throw Records website and visit their official store.


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Breaking News: Kode9 Announces Album Tour Dates for USA http://www.xlr8r.com/news/2015/09/breaking-news-kode9-announces-album-tour-dates-for-usa/ http://www.xlr8r.com/news/2015/09/breaking-news-kode9-announces-album-tour-dates-for-usa/#comments Mon, 14 Sep 2015 20:16:27 +0000 http://www.xlr8r.com/?p=102093 September has been an exciting month for news surrounding Kode9 and his first solo album, Nothing, that is slated for release on November 2. Now, XLR8R is back with more breaking news about Kode9, and this time it is to announce that along with the album release will come a US tour with stops in New York, San Francisco, and Chicago. The Hyperdub label boss will also be making a special appearance at Low End Theory in Los Angeles.

You can find out more about Kode9 and his album release and tour dates by checking out the Hyperdub website.

November 11: Bassdrive / Le Belmont, MONTREAL, Canada
November 12: Blueprint / Fortune Sound, VANCOUVER, Canada
November 12: Parameter / f8, SAN FRANCISCO, USA
November 14: 1833 / East Room, CHICAGO, USA
November 16: Deep Space / Cielo, NEW YORK, USA
November 18: Low End Theory / Airliner, LOS ANGELES, USA
November 20: Ad Hoc Presents / Palisades, BROOKLYN, USA



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Premiere: Hear a Track from Shlømo's New EP for Wolfskuil Limited http://www.xlr8r.com/news/2015/09/premiere-hear-a-track-from-shlomos-new-ep-for-wolfskuil-limited/ http://www.xlr8r.com/news/2015/09/premiere-hear-a-track-from-shlomos-new-ep-for-wolfskuil-limited/#comments Mon, 14 Sep 2015 17:42:31 +0000 http://www.xlr8r.com/?p=102006 Taapion Records co-founder Shlømo will make his debut on Wolfskuil Limited this month with his latest EP, Avadon.

Avadon features two originals from Shlømo, "Avadon (Part 1)" and "Avadon (Part 2)," with a remix of Part 1 by Token Records mainstay Antigone—who evidently featured on Taapion's second release. Both originals show Shlømo's textural expertise: tightly wound layers of ambience and noise overlap and swirl underneath the Paris-based producer's razor-edged percussion. Antigone's remix is much more subdued, focusing on intricate layers and percussive nuances, the Parisian producer provides a masterclass in restraint and, in turn, shows how beautiful techno can be.

Avadon will be released on 12" vinyl and digitally on September 25, with "Avadon (Part 2)" streaming in full below.

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Q&A: Dâm-Funk http://www.xlr8r.com/features/2015/09/qa-dam-funk/ http://www.xlr8r.com/features/2015/09/qa-dam-funk/#comments Mon, 14 Sep 2015 17:11:55 +0000 http://www.xlr8r.com/?p=101973 The spoken-word intro that leads off Invite the Light, the latest full-length missive from Dâm-Funk, comes with a proclamation: "If we invite the light, it will surely come to us," a processed, distorted voice informs us; "if we invite the funk, it will never let us down." The words themselves tell of the pure positivity that funk holds for the man born Damon Riddick—but its the source of that voice that truly shows how serious a matter funk is for the LA producer. It belongs to Junie Morrison, the near-legendary producer, musician and songwriter of the Ohio Players, who later served as the music director of  George Clinton's P-Funk ensemble.

Dam-Funk Invite the LightIt's a sign, one of many embedded in Invite the Light, that funk is more than just another rhythmic option for Riddick. The album, released on Stones Throw, references the likes of Prince, Parliament-Funkadelic, Jam & Lewis, the Zapp Band, Brass Construction and countless funk and and R&B artists from days gone by, but it doesn't exactly copy any of them—this is funk filtered through Riddick's slightly skewed vision, one that puts a unique stamp on the genre while still paying homage to what's come before. It's also an incredibly heartfelt album, forgoing the depressingly-common tendency to treat funk as a period piece—or worse, to treat it as a prop of sorts, something to use as an aural punchline to a stale joke. Instead, he's fully internalized the funk: It's a part of his ethos and his life, something that infuses everything about him—especially his music.

Invite the Light—a 20-track, 80-minute, years-in-the-making groove machine—is something of an all-star funk affair. Besides Morrison, the album features contributions from Leon Sylvers III, the in-house producer for the vastly influential SOLAR label who also served time as a member of family funk combo the Sylvers ("Hot Line," "Boogie Fever," et.al.); his son, Leon Sylver IV, also appears. There are hip-hop icons Snoop Dogg, who worked with Riddick on 2013's 7 Days of Funk LP, and Q-Tip of A Tribe Called Quest; R&B chanteuse Jody Watley and rapper Kid Sister; and a slew of slightly more left-field guest spots, from the likes of Flea, Ariel Pink, Computer Jay, Novena Carmel (Sly Stone's daughter, among other claims to fame) and Nite Jewel. Riddick is currently in the midst of a tour that's taking him from Denver to Tokyo (with stops throughout Europe and the Middle East in between), but he had enough time to stop and chat with XLR8R at Brooklyn's Wythe Hotel.

Can you explain the significance of the album’s title, Invite the Light?
It’s based on inviting good energy—positive energy—into your life. We all go through a lot of things in life, ups and downs and peaks and valleys. But in the end, if you invite the light inside of your mind, body and soul, you’ll be okay.

The album kicks off with a funk manifesto of sorts, voiced by Junie Morrison.
Yeah, he came up with all that. I had invited him to be on the record, and he was like, “I got something for you, man.” Of course, I said, “Cool, send it over.” And it just fit so perfectly. He actually did another song, with this great solo that we didn’t put on the album. I’m gonna save that for a b-side. He's shredding.

He’s one of the all-time kings of funk.
Definitely. People don’t even know that this guy is still destroying it, but he has this underground monk status with the people who do know. Just to have him on the record is such an honor, and I thought it would be something for the funk purists. Maybe if they see that Junie Morrison is aboard, they’ll be like, “Oh, this Dâm-Funk dude is real," and its not just some funk fan-boy type situation—that there’s some real shit going on.

Well, you’ve been living the funk life yourself for quite a while. You basically grew up with this music, right?
Yeah, that’s true, and this really is my life.

"To me, funk is like a smile with a tear—and that’s the kind of funk that I make."

It seems like that throughout your career, you’ve been moving closer and closer towards what your own vision of funk is.
That sounds right. I mean, I respect all the funk that came before me—but for a while, it almost got sort of comedy-based, like “shake your booty” type stuff all the time. And there’s so much more to funk. Funk is sadness, it’s happiness, and it’s everything in between. It’s not just a party. What I was trying to do with this record, and with my career so far, is to bring in all these different moods, and not just have it be a “get on the good foot” vibe. To me, funk is like a smile with a tear—and that’s the kind of funk that I make.

When you think of the great funk songwriters and performers, they do manage to combine all the emotions, from ecstasy to pathos.
Definitely, and the main thing that’s disappointed me in the past few years in regards to funk are things like the Dave Chappelle skits—“I’m Rick James, bitch.” I mean, that was cool—and I love Dave—but that kind of mockery tends to lessen the respect for funk. “Cocaine’s a hell of a drug”…eh, that’s not quite really what funk is. I’m just trying to give a facelift to the visuals and the sound of funk, and continue the tradition more progressive-type funk. Mtume, Change, Loose Ends…the kind of stuff before hip-hop kind of took over what people’s ideas of funk was, and before the labels started releasing only that one expression of funk, that one black expression of art. Other than jazz—and that got watered down, too! Anyway, I’m trying to make sure that people of all backgrounds and races know that funk is still alive, and you can still experiment with it and do new things with it. That’s why I came up with the term “modern funk” to describe what I do.


In past interviews, you’ve cited Funkadelic’s "(Not Just) Knee Deep" as one of your formative songs. Are there any others that really stood out for you?
Well, there’s Prince’s whole catalog. [laughs] The 1999 album is what made me start doing my own music. Slave’s “Just a Touch of Love”; Change’s “Paradise”; Mtume’s “Prime Time”; Loose Ends’ “Gonna Make You Mine”—that kind of stuff. These aren’t necessarily well-known songs, but they really resonated with me and helped me develop my sound.

You can definitely hear a bit of Mtume in that song with the Sylvers, “Glyde 2nyte.”
Yeah, for sure. That’s exactly the vibe I was trying to create—that kind of two-step vibe that would get Chicago cats doing that couples-dance thing. And you can just glide to it.

Hence the name.
Exactly. The spelling’s a little weird, of course. [laughs] I have to tell you, Leon is just incredible.

Leon Sylvers III’s been something of a mentor to you, hasn’t he?
He took me under his wing right when I got out of high school, talking to me about the business and everything he went through. A lot of people don’t realize that SOLAR was the precursor to Death Row Records. SOLAR was Dick Griffey and Leon Sylvers; then it was Suge Knight and Doctor Dre. It was all out of the same building and everything. Anyway, Leon told me the kinds of things I should watch out for—and a lot of studio techniques, too. Of course, I wasn’t in a big studio like he was, but I would take the things I would learn from him and take them to my bedroom studio. That’s how the bedroom recording and the big-production thing meshed for me. After that, I just kind of struck out on my own. Instead of going apeshit over sports, I really delved into music and started working with a lot of West Coast G-Funk kinds of things.

Speaking of G-Funk…you’ve worked with Snoop before, and he appears on the new album. How is he to work with?
Oh, man, he’s a great guy. I wouldn’t bullshit you—he’s really cool and laid-back. And he’s very smart, but he makes himself relatable, so you don’t even always notice what a smart guy he is. He’s got a really positive energy. We have a lot of respect for each other. When he came over to my house to do “Hit Da Pavement," the first song from 7 Days of Funk, he just pulled up to my house with his cousin, and we were just jammin’ in my bedroom. He just put the microphone up to his mouth and just did it. He’s so down to earth, and he abides by the G code. He’s just a good guy.

I’ve heard you DJ, and I get the feeling that you’re definition of funk is a pretty wide-open one.
Yeah, cats like Larry Heard and Theo Parrish will always be in the mix. Larry Heard…he is just so good! I’m into a lot of styles, really—that’s why my music sounds the way it does, and isn’t just straight slap-funk. I try to mix in beautiful chords, interesting drum machines, and all kinds of stuff.

That range shows in your choice of guests on the new album. Somewhere between the Q-Tip and Snoop cuts, you have a song with Ariel Pink, for instance.
Ariel Pink is one of my favorite new artists—really. And there’s Nite Jewel, and Computer Jay, too. These are all people I know. I operate on a pretty organic vibe. Like Q-Tip…I just know him from seeing him backstage, saying, “Hey, what’s up man.” I had this song called “I’m Just Tryna Survive (In the Big City),” and I thought of him—and I had his number, so I just hit him up. I sent him the music—and he sent it back the very next day.

"I’m comfortable with what I have—being able to make music, getting it to people with like minds, and having that music become part of their lives."

Yeah, that’s what I said. Sometimes I wonder if people are paying attention to me, or even know who I am. But when things like that happen, it shows me that I must be doing something right.

I don’t think you have to worry about that; there seems to be a lot of respect for you among your peers.

Photo: Matthew Scott

Photo: Matthew Scott

I’ve based my career on trying to keep my integrity and not selling out. And for someone like Q-Tip to do something that fast and that good for me, it does show that the respect is there. I guess it’s like with Larry Heard—some of us know and respect this guy, but he might never know, because there’s no easy way for me or you to express it to him. So I just have to sit and believe that there are people out there, even though I’m walking around wondering if people even know who I am. But once in a while, I’m reminded that people know my music, and that the most important thing. That’s what makes me happy. I’m comfortable with what I have—being able to make music, getting it to people with like minds, and having that music become part of their lives.

Dâm-Funk's Invite the Light is available now through Stones Throw Records.

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Medlar Returns to Wolf Music http://www.xlr8r.com/news/2015/09/medlar-returns-to-wolf-music/ http://www.xlr8r.com/news/2015/09/medlar-returns-to-wolf-music/#comments Mon, 14 Sep 2015 16:36:28 +0000 http://www.xlr8r.com/?p=101999 Medlar returns to Wolf Music in October for his first solo release since his debut album, Sleep.

WOLFEP030 follows a collaboration on Delusions of Grandeur with Dan Shake, and a remix of Andreya Triana for Ninja Tune, with four intricate and varied cuts. The rolling, sci-fi synth work of "Loon" kicks off the EP, before rolling into the beautifully organic "Paradise," the jazz-tinged "Dawn Chorus," and the EP closer "Angel Race," a gorgeous, almost ambient cut.

WOLFEP030 will be out via Wolf Music on October 5.


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Blank Slate Teases New 12" from Michal Wolski http://www.xlr8r.com/news/2015/09/blank-slate-teases-new-12-from-michal-wolski/ http://www.xlr8r.com/news/2015/09/blank-slate-teases-new-12-from-michal-wolski/#comments Mon, 14 Sep 2015 10:57:02 +0000 http://www.xlr8r.com/?p=102057 Michal Wolski rejoins the Blank Slate syndicate next month with issue no. 11. The Warsaw veteran debuted on Kamal Naeem's specialist techno label—which has also overseen releases from Arnaldo, White Visitation, and Shcaa—last year, and his forthcoming 011 promises to extend his signature take on dubby, minimalist techno. Opening with the airy "Midnight Train," which was originally released on cassette via Wolski’s own Minicromusic imprint, all four tracks are said to play off their creators' patience, subtlety, and ability to "summon thick, hypnotic ambience." Stream snippets below before Blank Slate 011 lands on October 3.

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Stream a Track from INIT's Debut Album on Hivern Discs http://www.xlr8r.com/news/2015/09/stream-a-track-from-inits-debut-album-on-hivern-discs/ http://www.xlr8r.com/news/2015/09/stream-a-track-from-inits-debut-album-on-hivern-discs/#comments Mon, 14 Sep 2015 09:32:47 +0000 http://www.xlr8r.com/?p=102033 John Talabot’s Hivern Discs label starts afresh in 2015 by announcing the release of its first full length LP, coming from the duo known as INIT and entitled Two Pole Resonance.

Hailing from Frankfurt's Rhein-Main region, INIT is comprised of Nadia D’Alò and Benedikt Frey, both of whom were featured on the title track of Massimiliano Pagliara’s 2014 LP on Live At Robert Johnson.

To mark today's album release, Shake Off Dust can be streamed in full below.

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Premiere: Hear a Track From Trust Image's New Album for 1080p http://www.xlr8r.com/news/2015/09/premiere-hear-a-track-from-trust-images-new-album-for-1080p/ http://www.xlr8r.com/news/2015/09/premiere-hear-a-track-from-trust-images-new-album-for-1080p/#comments Fri, 11 Sep 2015 22:51:36 +0000 http://www.xlr8r.com/?p=101344 Later this month, Canadian imprint 1080p will release Trust Image's Rory's World.

The nine-track album follows on from Trust Images's previous "Metalheadz-inspired" cassette, with the NYC producer expanding his palette and taking the listener on a journey through old-school breaks, rave-tinged warehouse jams, and raw, lo-fi house. Raw, multi-colored, and packed full of good vibes, Rory's World feels like you've just stumbled across an old dust-covered gem, one that somehow flew under the radar.

Rory's World will be out digitally, and on cassette, on September 18 via 1080p. Ahead of the release, you can stream the soon-to-classic cut "Doing You Wrong" in full below.


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Review: Novation Launchpad and Launchkey 61 http://www.xlr8r.com/reviews/2015/09/review-novation-launchpad-and-launchkey-61/ http://www.xlr8r.com/reviews/2015/09/review-novation-launchpad-and-launchkey-61/#comments Fri, 11 Sep 2015 20:28:39 +0000 http://www.xlr8r.com/?p=101398 Novation’s Launchpad—which has now expanded to Pro, Mini, and app versions—has been a staple in the Ableton world (and the rest of the DAW world, for that matter) for many years now. Aiming at Ableton’s session view, and with a simplistic approach to clip launching, control, and integration, the unit quickly became a must-have device for producers and live performers; the very modest retail price was the icing on the cake. In 2013, Novation then introduced its Launchkey range, featuring a Mini version, as well as the 25, 49, and 61-key units. The Launchkeys are a hybrid of sorts, fusing pads, keys, knobs, and faders for an altogether more complete unit. This year, Novation decided to give them all a revamp, with all the previously mentioned units now featuring RGB LED backlit pads.

How they Look

Upon unboxing, I noticed that both the Launchpad and the Launchkey 61 are made of a quite sturdy, albeit very light, plastic—the Launchpad weighs in at 1.5 pounds, with the Launchkey 61 at around 20 pounds. Both units feel right at home sitting on a desk, they both have molded rubber bottoms which sit perfectly flat and stick to most surfaces, causing very minimal movement when in use. One problem with the Launchkey—and this would relate to most bedroom producers—was its length. At nearly 40 inches, the unit didn’t leave much room for anything else on a standard size desk. The Launchpad, on the other hand, sits at a very portable and small, 9.5 x 9.5 inches, allowing for easy transportation and storage.

Once plugged in via the USB bus powers, you’ll immediately notice that both unit’s eye-catching RGB LEDs light up, giving a glimpse into the possibilities available when playing live. The Launchpad features an 8x8 grid of pads, which can be used to launch clips, play drum racks and instruments, and control mixer settings, and with the RGB update, the pads now match, color for color, the clips in your Ableton session. This also applies to the Launchkey’s 16 pads, taking the both unit’s integration with Ableton even further and allowing for easy experimentation with arrangements and instruments—the RGB update, when color coded correctly, is a godsend when playing live, drastically minimizing the risk of hitting the wrong clip, not to mention allowing for a more engrossing show for the audience.


How they work

Both units are completely class-compliant, which means that you can just “plug and play” with no installation necessary on any Mac or Windows—the units also work seamlessly with iOS, although a powered USB hub is needed, as well as a camera connection kit or a lightning to USB camera adapter. The Launchpad and Launchkey are also exclusively connected and powered by USB. This definitely isn’t a deal breaker, but it would be a nice inclusion for the units to include five-pin MIDI sockets for the possibility of controlling hardware.

Although the two units do share overlapping functions, there are clear areas where each stand out. The Launchpad’s 8 non-assignable function buttons running horizontally across the top of the unit act as its control center, allowing for fast, responsive, and easy access to the session view, mixer controls, and the two user modes. Its primary use, and where it really excels, is in Ableton’s session view launching clips. In mixer mode, the Launchpad allows you to control volume, panning, and sends and returns—although, when controlling the volume, it’s not as accurate as a fader would be, with the volume taking rather large steps up or down. The Launchpad's two user modes feature the most flexibility, sending MIDI data and allowing you to play drum racks and instruments, MIDI-map to control effects, and sequence and control mostly any Max4Live device. The only gripe in regards to the user modes is that the pads are not velocity sensitive, but again, it’s not definitely not a deal breaker.

The very small downfalls of the Launchpad were made completely irrelevant when used in conjunction with the Launchkey, its main functions stepping in to create a true production hub. The 16 pads on the Launchkey are velocity sensitive and, like the Launchpad, are used for instrument control or launching clips. Novation’s “InControl” feature takes the Launchkey’s functionality much deeper. When on, “InControl” automatically maps its pads, faders, and knobs to the corresponding clips, track volume faders, and the selected instrument/effect controls, respectively. When “InControl” is off, the pads, faders, and knobs can be mapped to whatever you see fit. It can also be toggled on or off mid recording, which essentially doubles the control features available at any one time. The synth-style keyboard’s action is light and fast, and the semi-weighted keys are also velocity sensitive, but with no aftertouch. The knobs and faders feel solid and smooth, and a small LED display shows the value of the current parameter being controlled.

Both units come bundled with extras, including Ableton Live Lite, Novation’s Bass Station and V-Station VSTs, and a good chunk of samples from Loopmasters.

The Bottom Line

Both units are well made, well thought-out controllers for modern DAWS and the update to RGB pads only accentuates this. It’s hard to go past the Launchpad for its price, ease of use, and functionality in the live space. And if you’re looking for the perfect all-in-one production hub, the Launchkey is a safe and sure bet although, in my opinion, the 61 is too long to be compatible for most home-studio set ups. The Launchkey 41 has exactly the same features—and at 10 inches shorter, is much more practical.

Launchpad MSRP $219.99

Launchkey 61 MSRP $299.99

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Pioneer Introduces First Hardware Controllers for Rekordbox http://www.xlr8r.com/news/2015/09/pioneer-introduces-first-controllers-for-rekordbox-for-rekordbox/ http://www.xlr8r.com/news/2015/09/pioneer-introduces-first-controllers-for-rekordbox-for-rekordbox/#comments Fri, 11 Sep 2015 18:00:55 +0000 http://www.xlr8r.com/?p=101915

Today, Pioneer announced the launch of the DDJ-RZ and DDJ-RX controllers – the first hardware to deliver native control of rekordbox dj performance software. The controllers give rekordbox DJs the ability to prepare tracks in Rekordbox and then get plug-and-play performance with the software, directly from a laptop. The DDJ-RZ and DDJ-RX mirror the layout of the software precisely to enable intuitive creative performances. The controller also features low latency jog wheels with On Jog Display, multi-coloured Performance Pads and a four-channel mixer to deliver highly responsive control. New to these controllers are the beat parameter buttons, Sampler Cue mode, and the Sequencer mode – which lets you record and loop sample sequences on the fly.

The DDJ-RZ shares all the features of the DDJ-RX, plus a club-quality magnetic crossfader and large jog wheels inherited from the top-flight CDJ-2000NXS. The OSC Sampler gives you the freedom to trigger and manipulate pre-set oscillator samples—or load your own in rekordbox dj. Two USB sound cards and ports with a top-loaded input switcher enable smooth DJ transitions.

For more information on these two brand new controllers from Pioneer, check out the video they just released over on their website.

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Ruff Cherry "Endless World" http://www.xlr8r.com/mp3/2015/09/ruff-cherry-endless-world/ http://www.xlr8r.com/mp3/2015/09/ruff-cherry-endless-world/#comments Fri, 11 Sep 2015 17:49:01 +0000 http://www.xlr8r.com/?p=101976 Launched in April 2014, Midgar Records is a Berlin-based label pushing a deep and texturally rich techno sound. Its influences are evident in the latest release from Ruff Cherry, whose Ritual EP presents a sound that is as indebted to deep ambient tones as it is to dancefloor-focused techno. Ritual is the first EP from the Irish producer since 2013, when he released his Section 31 EP on A Sagittariun’s imprint Elastic Dreams. In support of the EP, Ruff Cherry and Midgar have passed along the exclusive cut "Endless World," which, like its name, features an endless world of textures to get lost in. Wrapping itself around a syncopated rhythm, the track winds its way through dub-tinged bass tones, skittering percussion and haunting ambience, gathering momentum throughout, before slowing to a crawl at the end. Ritual is out this month, and "Endless World" can be download for free below.

Endless World

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XLR8R's Top 10 Downloads of August http://www.xlr8r.com/news/2015/09/top-10-august-2015/ http://www.xlr8r.com/news/2015/09/top-10-august-2015/#comments Fri, 11 Sep 2015 17:00:48 +0000 http://www.xlr8r.com/?p=101782 Now that the calendar has ticked over into September, and the final downloads of last month have had time to work their magic, it's once again time to announce our top 10 most popular tracks to land in XLR8R's downloads section in August. Like July, this month was mostly made up of original productions with London-based producer Poté taking the top spot with his body-moving cut "Oryx." Poté was joined in the top 10 by Mark Karmill, Chaos In The CBD & Archie Pelago, Bendejo, and Tecs Evergreen, among others.

August's 10 most popular XLR8R downloads have been assembled into a list below and can be grabbed for free by following their respective links. In addition, all 10 tracks have been compiled into one convenient file, which can be downloaded via WeTransfer below.

1. Poté "Oryx"
2. Ishivu "Gryning (Matt Karmil Remix)"
3. Chaos In The CBD ft. Archie Pelago "Common Unity"
4. Bendejo "Unravel"
5. Luc Angenehm & Christian Bachmann "Golden Road (Original Mix)"
6. Tecs Evergreen "Skyline Drive"
7. Roscius "Petrol"
8. Vessels "Vertical (Jinjé remix)"
9. Flare x Buffa "Process"
10. Ghost Feet "Doom"

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Helios Yume http://www.xlr8r.com/reviews/2015/09/helios-yume/ http://www.xlr8r.com/reviews/2015/09/helios-yume/#comments Fri, 11 Sep 2015 16:27:49 +0000 http://www.xlr8r.com/?p=101962 For a little over a decade, Keith Kenniff’s output as Helios has taken us into calm and pastoral surroundings. Since 2004, the Berklee College of Music percussion major and Portland, Oregon resident’s albums have been consistently soundtracking listeners’ cozy mornings as they watch sunbeams stream through curtains, stroll in the woods after a fresh rain, and take part in similarly contemplative moments. But Kenniff’’s work is far from new-age muzak or Buddha Bar chill-out drivel. Rather, it’s a serenely unpretentious mix of intricate electronic compositions accented by acoustic instrumentation—folktronica by another name—a sound that Kenniff unwittingly pioneered.

Although that awkward genre term (which encompass anything from folky IDM, to artists like Four Tet, Bibio or Caribou and postrock bands Mice Parade or The Album Leaf) hardly seems apt to describe Kenniff’s music these days, it does hint at the depth and craft that he applies on this album. Kenniff, who also moonlights in neoclassical project Goldmund and as half of shoegaze pop duo Mint Julep, delivers a tremendously satisfying creation—all instrumentals, all saturated with blissful notes and chords.

Each piece on Yume (Japanese for “dream”) is delicately stitched together, like silk through a weaving loom, producing soft and colorfully patterned songs. Throughout, Kenniff’s frequent but unobtrusive use of guitars and piano add a distinctly human touch to the gentle and melodic synth atmospherics. Additionally, cellist Amos Cochran and violist Ben Davis add nuance to songs like “Skies Minus” and “The Roots”; their strings sit in the background, shimmering through the waves ever so subtly. Thankfully, there are no melodramatic orchestral flourishes; instead, the instrumentation, including some unexpected sonic sources, is blended and arranged to lead from one complementary section to the next.

While bird songs, creaking floors and other environmental “found sounds” have been incorporated in previous works, they’re more thoroughly integrated on Yume. You hear these sampled elements notably on “Sonora Lac,” where they form an evocative percussive backdrop that scrapes and rattles along like a mule pulling a wagon along a dirt road. Songs like “Pearls” and “Every Passing Hour,” which recalls the placid majesty of “The Toy Garden” from ‘06 release Eingya, feature more traditional drum loops and percussion.

Balancing the proceedings are gorgeous percussion-free, ambient numbers “Again” and “Embrace,” which feel like being drenched in rose petals or floating through clouds. In the end, Kenniff’s compositions journey out into natural green landscapes, and bring us back to wherever we call home. The world is a hectic place. It’s nice to know you can retreat to Yume for refuge and restoration.

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