Saturday, September 25th 10pm-3am
It might seem counterintuitive for a producer to detach themselves from one of the planet's most thriving music scenes, but in the case of Julio Bashmore, that's exactly what he did growing up in bass music hotbed, Bristol. You see, Julio's first love is house music. And operating just on the peripheries of the city's scene has allowed him to quietly cultivate a take on the genre unlike any other.Julio may have appeared to burst on to the scene in late 2009, but the lead up to the Julio Bashmore EP for Claude VonStroke's highly influential Dirtybird label was essentially a lifetime in the making. Siphoning the tastes of his older brothers through hip-hop cassettes, Julio's interest in electronic music began in earnest after hearing Daft Punk's "Da Funk", which was handily around the time that turntables arrived in the house via his elder sibling. There was something Julio warmed to in the typically French approach Daft Punk and Cassius took to house music composition, and his earliest vinyl purchases reflected this. Aged 14, a battered old PC and a copy of Reason became Julio's very first 'instruments.' He later experimented with synthesizers and guitars, playing in bands for a brief period, but by the time he was old enough to experience club culture firsthand, Julio had made the realisation that DJing was the true vehicle in which to deliver his music.Perhaps indicative of Bristol's fascination with low-frequencies, Julio began to gravitate towards the bass- indebted sounds of the Dirtybird label. After spending considerable periods of time sharpening his mixing and productions skills, Claude VonStroke's label tellingly signed an EP's worth of Julio's material for the Julio Bashmore EP. This breakthrough also meant a difficult decision: on the cusp of leaving for university Julio decided instead to remain in Bristol and install production and DJing as his primary focus.What happened next is the reason you're reading this. Labels, media and clubbers seemed to instantly 'get' the skewed angle at which Julio attacked house music in 2010. Night Slugs, Ten Thousand Yen, PTN, Dirtybird, fabric and Soul Motive were among those who housed productions/remixes—and this list of forward-thinking labels seemed fittingly representative of Julio's future-facing output. But what is it about his sonic approach that has created so much fever around the name Julio Bashmore? It's difficult to say exactly. But bounce to blissed-out Garage of "Footsteppin", lose your shit to his Mosca remix, or turn out the lights for "Batak Groove" and you'll realise, simply, that it's just something you feel.
Andhim are a pair of German sausages who have taken the house music world by storm. Their productions (and DJ sets) are marked by a certain silliness which translates to dance floor demolition. Our own Rosenberg is up first with some sultry sounds to warm up the room.
Advance tickets: http://www.eventbrite.com/e/julio-bashmore-andhim-at-1015-folsom-tickets-17640384866
Andhim ( Get Physical | Berlin )
1015 Folsom | San Francisco
It was spring 2010 when the Cologne natives decided to kick their butts and get out of their studio to show their beats to the world. Less than 12 months later Andhim made it to the top ten German newcomers of the Groove and Raveline magazines (two of the most respected electronic music media in Germany and not only). Their records could be found in the cases of famous DJ's and remix requests followed from all over.
When performing live one can really feel the full commitment and passion of the boys. Energetic, creative and always entertaining, they present their very own interpretation of electronic dance music that makes dads cheer and mums scream. The boys are transforming the decks into instruments themselves to create an extended sphere of music, which separates them from the standard reproductive character of a DJ.
Their musical talent and knowledge of technique comes from their musical resume: When other kids were playing at the pool eating French fries on their summer holidays, 16 year old Simon was scratching with several jazz-musicians through Europe. When he was 20 he became known as Simon² tempted to electronic music.
After massive gigs through Europe and Asia, the boys continuously work on their sound and development in an effort to explore new worlds of sound. With strong support from many Artists and Labels of the scene they are looking forward to the future with optimism and are excited to make the people of the world dance, smile and go crazy!